Katy Connor -Plymouth Art Centre

Katy Connor -Plymouth Art Centre


Katy Connor: 8 – 22 October
Preview: Friday 7 October, 6 to 9pm
You are invited to the exhibition preview of works by Katy Connor
http://www.plymouthartscentre.org/art/2011/katy-connor.html
Katy Connor engaged with scientific processes of Atomic Force Microscopy and data visualisation whilst associate artist at i-DAT. Her new work reflects on these technologies and how they frame perception. PUREFLOW [mobile edition] is a miniature, hand held iPhone app for a mobile and global audience. It reveals the noise generated between GPS data systems and multiple satellites, 3G networks and Wifi hotspots as a tangible presence in the environment. Untitled_Force is a sculptural piece that translates a digital micrograph of the artist’s blood into architectural porcelain, using industrial processes. Katy Connor is a Plymouth Visual Arts Consortium artist hosted by i-DAT. For more information visit www.katyconnor.com
Artist Katy Connor is featured on BBC Click talking about her latest work PURE FLOW [mobile edition]. BBC Click is broadcast on BBC World Service and available to listen to on iPlayer.

This is the second in a series of exhibitions which documents the work of seven artists and curators who have taken part in Plymouth Visual Arts Consortium’s Associate Scheme. The PVAC organisations who have hosted an Associate include, Groundwork, i-DAT, KURATOR, Plymouth College of Art, Plymouth Arts Centre, Plymouth City Museum and Art Gallery and Zest.
Image: Katy Connor, Pure Flow, photo: Bill Leslie

ESF-CUC PhD Studentship Opportunity: Hundreds of Things

ESF-CUC PhD Studentship Opportunity: Hundreds of Things

Hundreds of Things: the Internet of Things for Cultural Networks.
hundreds_of_things_phd_ad.pdf
i-DAT, in collaboration with University College Falmouth, invites applications for a 3-year full-time PhD studentship to engage in an applied, practice based research project to explore the potential of smart networked technologies (topically described as the ‘Internet of Things’) to map and evaluate the movement and relationships of people and resources across a geographically distributed communities.
Project overview:
The research will take place through collaborating cultural and heritage venues and regional art galleries distributed across Cornwall. These venues act as active nodes on a dynamic network, linking communities of local residents to a transient community of visitors. They operate as conduits for exchange for ideas, knowledge and physical objects. They also become nodes on more problematic seasonal networks, such as supply chains for food, traffic and amenities (water, electricity and sewerage).
The research will engage in participatory design process through the use ‘provocative prototypes’ or ‘cultural probes’. It will explore the use of smart networked technologies, such as RFID’s, networked sensors, mobile phones, web and embedded technologies, to reveal the complex processes that exist within this networked ecology.
Applicants should therefore have accomplished digital media production skills, such as programming (such as processing, AS3, max msp php, java, etc) and hardware and basic electronics (such as arduino, xbee, RFID, etc).
These processes can be described as a ‘techno-ethnography’ that embraces quantitative data (such as server hits, financial transactions, GPS tracking of artefacts and people, etc) and qualitative data (such as stories, images, audio/visual recordings and conversations).
The research builds on i-DAT’s research projects that can be found at: http://www.i-dat.org/
Supervisory team
Mike Phillips, Professor of Interdisciplinary Arts and Director of i-DAT (www.i-dat.org) , University of Plymouth, Faculty of Art, Centre for Media Art & Design Research.
Phil Stenton, Professor of Pervasive Media and Associate Dean for Research & Enterprise at the School of Media and Performance at University College Falmouth.
(‘Hundreds of Things’ refers to the geographic division of Cornwall).
How to apply:
For an application form and full details on how to apply, please visit www.plymouth.ac.uk/pghowtoapply. Applications should be made by using the PDF application form or the Word application form. Printed application forms are also available and can be obtained from the Course Information Unit, Tel: +44 (0) 1752 585858, Email: prospectus@plymouth.ac.uk.
On completion send your application form to:
Sue Matheron by email: susan.matheron@plymouth.ac.uk or posted to:
Faculty of Arts
Research and Graduate Affairs Office
Room 305
Roland Levinsky Building
Plymouth, PL4 8AA
Further information on the terms and conditions of a PhD at the University of Plymouth can be found on www.plymouth.ac.uk/graduateschool.
Application deadline: 12 noon, Friday 3 June 2011
Please contact Professor Mike Phillips (mike.phillips@plymouth.ac.uk) for further information and an informal discussion regarding the research.

FULLDOME UK 2011.

FULLDOME UK 2011.


Following on from the success of the Fulldome UK 2010 held at the Immersive Vision Theatre, we are delighted to announce our second Fulldome festival, FULLDOME UK 2011, will be taking place on Saturday 12th and Sunday 13th March 2011, at Thinktank Science Museum, Birmingham.
FULLDOME UK 2011 is a celebration of the Fulldome experience. The two-day conference and festival will be packed with screenings, presentations and discussions, and will feature some exclusive real-time live audiovisual performances. The event will focus on the use of Fulldome as an artistic medium and will look to highlight the more creative and experimental applications of Fulldome immersive environments, beyond the realm of astronomy education most commonly associated with digital planetariums today.
A series of workshops by Fulldome artists will provide an insight in to the processes and challenges of Fulldome content production, both conceptual and technical, whether one is producing live-action or Computer Generated Imagery. We will also look at developments in the various fields of real-time interactive Fulldome content, which include gaming, data visualisation and VJ-ing.
The aim of this event is to showcase the best examples of contemporary Fulldome practice, and ultimately inspire more people to produce new works for the medium, some of which can hopefully be screened at FULLDOME UK 2012!
The event will take place at Thinktank Planetarium, which forms part of Thinktank Science Museum and is the UK’s first purpose-built digital planetarium, currently one of the top ten busiest small domes in the world (and the most progressive planetarium in the UK!).
http://www.fulldome.org.uk/

Examining Life at a Nano Level. Dr Paul Thomas.

Examining Life at a Nano Level. Dr Paul Thomas.

Stonehouse Lecture Theatre Portland Square
17.00-18.00 on Friday 3rd December.
Examining Life at a Nano Level.
In this talk Paul Thomas will demonstrate via the nano art project ‘Nanoessence’, ideas on what constitutes the real and the artificial. The ‘Nanoessence’ project aimed to create a visual expression of life at a sub-cellular level, re-examining boundaries and materiality within the human context. A single engineered immortal skin cell was scanned in vitro with an Atomic Force Microscope (AFM) to create a visualisation of the space between, life and death at a nano level. The presentation will explore how nanotechnological research is challenging humanistic ideas concerning life and what constitutes materiality.
Paul Thomas: Dr Paul Thomas, is currently Head of Painting at the College of Fine Art, University of New South Wales. Paul chair numerous international conferences and is the co-chair of the Transdisciplinary Imaging Conference 2010. In 2000 Paul instigated and was the founding Director of the Biennale of Electronic Arts Perth.
Paul has been working in the area of electronic arts since 1981 when he co-founded the group Media-Space. Media-Space was part of the first global link up with artists connected to ARTEX. From 1981-1986 the group was involved in a number of collaborative exhibitions and was instrumental in the establishment a substantial body of research. Paul’s current research project ‘Nanoessence’ explores the space between life and death at a nano level. The project is part of an ongoing collaboration with the Nanochemistry Research Institute, Curtin University of Technology and SymbioticA at the University of Western Australia. The previous project ‘Midas’ was researching at a nano level the transition phase between skin and gold. Paul has recently completed working on an intelligent architecture public art project for the Curtin Mineral and Chemistry Research Precinct. In 2009 he established Collaborative Research in Art Science and Humanity (CRASH) at Curtin http://crash.curtin.edu.au
Paul is a practicing electronic artist whose work has exhibited internationally and can be seen on his website http://www.visiblespace.com
download the invite…

Ecoid Prototypes

Ecoid Prototypes

Ecoid Prototypes have been used by various organisations at different locations around the globe.
These prototypes were further developed and deployed through the Confluence Project.

 

Chris Speed, University of Edinburgh, Yamaguchi University, Japan.

 

Royal Botanic Garden Edinburgh Phylogeny Ubiquity Workshop:

In October 2009 Hamer Dodds was asked by the Royal Botanic Garden Edinburgh to organize a weekend event as part of the International Year of Biodiversity initiative. The Royal Botanic Garden Edinburgh is widely regarded as being in the top four scientific gardens in the world. It is, literally, a living laboratory. This function needed to be reflected in the workshops over the weekend. The subject of the weekend’s events was phylogeny.

Festival International de la Vidéo d'Art de Casablanca.

Festival International de la Vidéo d'Art de Casablanca.


Festival International de la Vidéo d’Art de Casablanca.
Musaab Garghouti travels to Casablanca with the 5 meter inflatable dome to install Marc Fournel’s VOID (and other work) in the Festival International de la Vidéo d’Art de Casablanca.
VOID involves 3 wireless interfaces and live video manipulation. The invitation to Marc from the festival extends on Marc’s collaboration with i-DAT funded by the Canadian Council for the Arts research grant. The dome installation incorporated the Pure Data dome correction tool developed during Marc’s residency at i-DAT. Check out….
http://ciam.dyndns.org/~mfco/fr/?q=fisheye
More to follow….

Ellie Harrison at Plymouth College of Art

Ellie Harrison at Plymouth College of Art

Plymouth College of Art

Ellie Harrison
www.ellieharrison.com

A rundown but functional old vending machine stands alone in the Viewpoint Gallery at Plymouth College of Art. Every now and again, without warning, it springs into life – spewing out free packets of crisps for gallery visitors. The machine, you see, has been modified. It no longer functions in the conventional way – at the whim of snack-hungry students – but instead now finds itself in the control of outside forces… Its new nervous system is a networked computer. Hidden out of view and running special software, it continually scans the news on the BBC RSS feed – commanding the machine only to release snacks when words relating to the recession make the headlines.

Whilst seemingly an act of generosity – gifting free food at moments when further doom and gloom is reported – the Vending Machine also hints towards a time in the future when our access to food may literally be determined by wider political or environmental events. We may not be able to access what we want, when we want, at the touch of a button. This dystopian vision is toyed with in an accompanying piece in collaboration with i-DAT . For the first two weeks of the exhibition at the Viewpoint Gallery, the GreenScreen on the front of the Portland Square Building at the University of Plymouth will be used to make public-service-style announcements at the exact moments when the Vending Machine releases food. The words ‘FREE FOOD’ will appear, emblazoned in metre-high letters on the side of the building encouraging passersby to run to the gallery and claim their supplies.

The Vending Machine project is one of the outcomes of Ellie’s period of residency at Plymouth College of Art in 2009 and is on show at the college Viewpoint Gallery as part of her solo exhibition from 23rd April – 30th May 2009. It was programmed by Ben Dembroski in PureData and Python and uses project2891 to communicate with i-DAT in order to activate the messages on the GreenScreen. Production assistance by Jason Mills.
http://www.ellieharrison.com/index.php?pagecolor=3&pageId=project-vendingmachine

Exhibition Opening:
5.00pm – 7.30pm
Wed 22nd April

Open to the public:
Thurs 23rd April Sat 30th May

 

Parallel Plymouth Launch

Parallel Plymouth Launch

You are invited to the launch event

Parallel Plymouth
Mark Greenwood
6 – 22 March 2009
i-DAT Greenscreen

On the front of the Portland Square Building University of Plymouth
Friday 6 March, 6-7pm
At Stonehouse Lecture Theatre
Portland Square
University of Plymouth
Free entry, all welcome

Working in association with Plymouth Arts Centre, artist and writer Mark Greenwood embarked on series of walks around Plymouth investigating myths, histories and monuments as well as systems for writing poetry. By dissecting the systems of structuring language and using the rules and influences he applies to his text-based work Greenwood, in collaboration with i-DAT, has created a generative software that ‘writes’ or executes poetry.

The software, Greenwood 2.0, generates new poems, which can be viewed on the large public i-DAT Greenscreen situated on the front of the Portland Square Building, University of Plymouth. The software and the poetry are further influenced by its environment through data feeds from sensors such as movement of people, CO2 levels, online search engines and through its own evolving generative system.

AHO+BARTLETT=i-DAT

AHO+BARTLETT=i-DAT

Arch-OS Workshop
AHO+BARTLETT= i-DAT:  A trans-disciplinary research workshop on Arch-OS

25th – 27th February 2009
A trans-disciplinary research workshop on Arch-OS:  Architectural ecologies: from aesthetics to behaviour, an interdisciplinary approach to affecting the relationships and interactions between inhabitants and their architectural environment. With:
Advanced Architectural Design, AHO Oslo School of Architecture and Design, Norway: http://www.aho.no/en/
&
A.V.A.T.A.R, Bartlett School of Architecture, University College London, UK: http://www.avatarlondon.org/
Workshop details:
This workshop will experiment with and forecast potential future use, impact and value of using data generated by a building and its inhabitants, to recursively influence behaviour, creating a symbiotic ecology with a potential greater environmental awareness. Through an interdisciplinary approach it will encourage the development of an organic list of solutions or potential methodologies for building design based on the study of the main factors: behaviour, data and interaction. The resultant hybrid construct has the potential to expand and evolve our physical and conceptual space, and behaviours and interaction within these.

L/SL – Interactive Media

L/SL – Interactive Media

dome
We are seeking a Lecturer to champion the ongoing development of an existing suite of innovative Undergraduate Programmes, to play a pivotal role in the world-class research (under RAE Unit 63, Art & Design) and innovation of the Arts Science Technology Group, participate in the activities of the i-DAT (www.i-dat.org) Centre of Expertise and contribute to the formation of the interdisciplinary Centre for Creative Design and Technology. This post offers a rich opportunity to research and develop the potential of digital technologies to model, visualise, simulate and make manifest the invisible and immaterial and to actively and critically engage with transdisciplinary activities that operate across social, environmental and technological art and design practices.
The position requires academic leadership combined with practical interactive media software and design skills that will contribute to the delivery of the suite of Programmes and associate modules at an undergraduate and postgraduate level. The successful applicant will have substantial HE teaching experience, a track record of cross-disciplinary research and enterprise, and preferably experience of doctoral research supervision. They will have the necessary technical skills to teach and research in the overlapping fields of interaction design, physical computing, visualisation and innovative manufacturing.
Recruitment and selection will be based on individual merit, however, we should particularly like to encourage applications from women, black and minority ethnic people who are under-represented in the Faculty of Technology. For an informal discussion, please contact Mike Phillips by email mike.phillips@plymouth.ac.uk or telephone 01752 232549, although applications must be made in accordance with the details shown below.
Ref: A0609
Interviews will be held during week commencing 19 May 2008.
£28,289 to £48,161 pa
Closing date: 12 Noon, Tuesday 22 April 2008.
A Final Salary Pension Scheme is available.
Please request an application pack, quoting
Ref & Job Title, via:
www.plymouth.ac.uk/vacancies
Email: jobs@plymouth.ac.uk
Tel: 01752 588199 (24 hour answerphone)
Download PDF Advert.