GFP Bunny / Eduardo Kac / 2000 / Eduardo Kac and Alba, the fluorescent bunny. “My transgenic artwork “GFP Bunny” comprises the creation of a green fluorescent rabbit, the public dialogue generated by the project, and the social integration of the rabbit. GFP stands for
◯ ◯ ◯Spacex Gallery, 1 May – 22 June 2002 Generator: curated by Spacex & STAR, with support from the Institute of Digital Art & Technology and the Arts Council of England (Collaborative Arts Unit). Spacex Gallery, 1 May – 22 June 2002, and touring in the
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FUTURE HISTORY v1.0: THE S.T.I. PROJECT: THE SEARCH FOR TERRESTRIAL INTELLIGENCE. S.T.I. is funded by the SciArt programme (supported by the ACE, the British Council, the Calouste Gulbenkian Foundation, SAC, the Wellcome Trust and NESTA)., and turns the technologies that look to deep space for
◯ ◯ ◯Bodies INCorporated / Victoria Vesna / 1993~6 / Started as a conceptual art project in 1996 – one of the first 3D net art pieces that was written about extensively and exhibited internationally. Thousands of bodies were created by participants and specially highlighted people from
◯ ◯ ◯Post Human Condition / HEX / Robert Pepperell / [HEX: 1991-1999][Post Human Condition: 1995]/ The Post-Human Condition This work challenges many of the humanist assumptions of Western philosophy, science and art. It proposes a view of the human condition building on the findings of quantum
◯ ◯ ◯Planetary Fax Works: 1990-91 / Chris Speed / 1990-91 / Throughout the 80s and 90s fax machines were common place in many institutions which provided a relatively ‘open’ channel for digital art practice to reach diverse audiences from galleries to businesses of all types. Three
◯ ◯ ◯Auto-Illustrator / Ade Ward/Signwave / 2001 / Signwave Auto-Illustrator is an experimental, semi-autonomous, generative software artwork and a fully functional vector graphic design application to sit alongside your existing professional graphic design utilities. Use it to explore a wide range of generative and procedural techniques
◯ ◯ ◯FUTURE HISTORY v1.0: Donald Rodney Autoicon. Kadish Morris (2020). ‘Union jack swastikas and space-age braids: Thirteen Ways of Looking – review’, The Guardian, 28 October 2020. Available at: https://www.theguardian.com/artanddesign/2020/oct/28/thirteen-ways-of-looking-review-cultural-identity-herbert-art-gallery-coventry (Accessed: 16 January 2021). Autoicon is a dynamic internet work and CD-ROM that simulates both the
◯ ◯ ◯Eyeborg / Adam Montandon & Neil Harbisson / 2003 / The collaboration between Adam Montandon and Neil Harbisson resulted in the Eyeborg. Version 1.0 exhibited in the Future History exhibition was produced in Director and uses a webcam to play tones in response to colour
◯ ◯ ◯A-Volve/ Christa Sommerer & Laurent Mignonneau/ 1994 / In the interactive real-time environment “A-Volve” visitors interact with virtual creatures in the space of a water filled glass pool. These virtual creatures are products of evolutionary rules and influenced by human creation and decision. Designing any
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