John Matthias is a musician and physicist. He has worked with many artists including Radiohead, Matthew Herbert and Coldcut and has performed extensively in Europe including at the Pompidou Centre, Paris. He is a lecturer in Sonic Arts at University of Plymouth. http://www.myspace.com/johnmatthiasmusic http://www.prsfoundation.co.uk/newmusicaward/fragmentedorchestra.htm
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Dr David McConville is Co-Chair of the Buckminster Fuller Institute, a nonprofit organization facilitating convergences across design, art, science, and technology to identify and cultivate whole systems strategies for addressing complex global challenges. McConville is a media artist who designs immersive visualization environments that provide new
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Professor Chris Speed is Chair of Design Informatics at the University of Edinburgh. He has a BA in Alternative Practice (Brighton Polytechnic, 1992), a Masters in Design (Goldsmiths 1999), and a PhD from Plymouth University (‘A Social Dimension to Digital Architectural Practice’, 2007). Chris Speed is Chair
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Professor Paul Thomas is an associate professor and program director of the fine arts program at UNSW Art and Design. Thomas initiated and is the co-chair of the Transdisciplinary Imaging Conference 2010,2012 and 2014. In 2000 Paul instigated and was the founding Director of the
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Mike Phillips is Professor of Interdisciplinary Arts at University of Plymouth, the Director of Research at i-DAT.org and a Principal Supervisor for the Planetary Collegium. His R&D orbits a portfolio of projects that explore the ubiquity of data ‘harvested’ from an instrumentalised world and its
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Gianni Corino. Dr. Gianni Corino is Associate Professor in Interactive Media, i-DAT’s Creative Producer and Programme Leader for MRes Digital Art and Technology at Plymouth University. His interdisciplinary research explores the idea of performativity, embodied and social networks and emergent technological practices. In latest works
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Dr Birgitte Aga [B] is a creative technologist, researcher, producer and designer with an MBA in innovation and a PhD in conversational AI. She has 20 years of experience initiating and producing R&D with a focus on the creative application of emergent technologies, in particular conversational
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i-DAT has been awarded a Canada Council for the Arts ‘Grants to New Media and Audio Artists: New Media Residencies’ for the sound and installation artist Marc Fournel. This follows initial funding from the Canada Council for the Arts for a research visit to i-DAT
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8 February – 8 March. In residence developing a new work / 9 March – 6 April Installation of new work. For one month the London based artist Stanza will be developing a new piece of work in residence in Plymouth Arts Centres upper gallery.
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1.30: Sunday 24 February 2008. The Immersive Vision Theatre and i-DAT present the ‘Dome Fugue v1.0’. This is a specially commissioned sonic experience to celebrate the re-birth of the William Day Planetarium as a transdisciplinary instrument for the manifestation of material, immaterial and imaginary worlds.
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