i-DAT team members Mike Phillips, Birgitte Aga, Gianni Corino and Stavros Didakis travelled to Istanbul to explore the theme of the cloud and molecular aesthetics. They attended the third International Conference on Transdisciplinary Imaging – of which i-DAT is an International Conferencing Partner – where
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How do you feel about art and culture? You might know, but how can you transmit your feelings to arts and culture organisations accurately? Qualia can help measure your mood after seeing a show, exhibition, installation or movie and is set to revolutionise the way
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Friday, 26 October 2012 1:00pm – 2:00pm Magnificent yet daunting, Moby-Dick stands as one of the great classics of American literature, much admired but – sprawling and intimidating – seldom read. Now an unlikely combination of fans including David Cameron, Tilda Swinton, Stephen Fry and Simon Callow are set to change that after joining the cast of the
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20/04/08. i-DAT presents The Play Algorithm – A(n):= [r = 1,2,..N] (B Aga, Katina Hazelden and Mike Phillips) at HOMO LUDENS LUDENS 2008, LABoral, Gijon, Asturias, Spain. The Play Algorithm is an element of Social Operating System (S-OS) (www.s-os.org). LABoral continues its ongoing task of
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A new series of projects and residencies that have been developed through an ongoing collaboration exploring new systems and technologies for artistic production, dissemination and participation that challenge traditional models of creation and consumption of art. Artists and Curator; Stanza (UK) 8 February – 6
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8 February – 6 April. i-DAT, in collaboration with Plymouth Arts Centre, presents: ‘S-OS: a Social Operating System’ for the city of Plymouth. S-OS is a collection of creative interventions and strategic manifestations that provides a new and more meaningful ‘algorithm’ for modeling ‘Social Exchange’
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Social Operating System: 8 February – 6 April. i-DAT, in collaboration with Plymouth Arts Centre, presents: “S-OS: a Social Operating System” for the city of Plymouth. S-OS is a collection of creative interventions and strategic manifestations that provides a new and more meaningful ‘algorithm’ for
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