Thursday, 10th March 2022 4pm Computation Otherwise: Carbon Endings and Regenerative Practice Dr. Helen V. Pritchard i-DAT, University of Plymouth/The Institute of Technology in the Public Interest Design Informatics, University of Edinburgh. As a response to the endings of carbon-based energy there have been many techno-utopian
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Helen Pritchard & Femke Snelting November 2021, with the publication of audit late 2021. Helen Pritchard and Femke Snelting from The Institute for Technology in the Public Interest (TITiPI), will help NEoN to ‘audit’ its digital practices. Through queer and feminist practices, Helen and Femke
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Bees, Robots and Light : A Celebration of South West Creative Technology In 2018 the South West Creative Technology Network (SWCTN) began a £6.5m Research England funded project to expand the use of creative technologies across the South West. We’re now ready to share
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LEONARDO LASER LINZ – with Christiana Kazakou from i-DAT. Die Gartenlaube, The Garden Gazebo 10. September 2021, 14.00 bis 17.00 Uhr Leonardo LASER Talks – LEONARDO LASER LINZ, Garden Gazebo at Ars Electronica 2021 at the University of Art and Design in Linz, supported by
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Very pleased to be hackathoning through the launch events for the Real Ideas Organisation’s Devonport Market Hall. Video clips rendered by Joel Hodges and Musaab Garghouti: Unreal Engine 5 Photogrammetry demo: Powderham Castle Stair well data capture by Dr Alejandro Veliz Reyes and his
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Sat 26 June 7pm Get tickets As part of the Donald Rodney exhibition at Celine, the gallery is hosting a screening of The Genome Chronicles by John Akomfrah. Made in 2009, the film reflects on the passing, within the space of a few days, of Akomfrah’s mother
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Helen Pritchard is part of Sonic Acts Exhaust, an online roundtable discussion on oil and data, on 27 February 2021. How are the twinned commodities of oil and data enmeshed within contemporary human landscapes? Sonic Acts is proud to present Exhaust, an online roundtable programme
◯ ◯ ◯Liz is an artist, researcher and creative coder working at the intersection of art, aesthetics, and machine learning (ML). She is currently exploring generative imagery and ML aesthetics through plastic experimentation with code and data. Her approach is broadly situated within the field of computational
◯ ◯ ◯FUTURES2020 is funded by the European Commission under the Marie Skłodowska-Curie actions; delivered collaboratively by the University of Bath, Bath Spa University, University of Bristol, University of Exeter and the University of Plymouth.
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