Bio-OS: A DataLab R&D Showcase

Bio-OS: A DataLab R&D Showcase

16 November 2011
17.30 – 19.00
The Immersive Vision Theatre [http://goo.gl/VVDUM]
Plymouth University, Plymouth, Devon, PL48AA.
[PDF Invite] [http://www.bio-os.org/projects/] Booking is free, but essential. Please email; baga@plymouth.ac.uk
i-DAT is pleased to invite you to the Bio-OS ‘DataLab’ R&D showcase, a demonstration of prototype technologies that make data generated by the body (heart rate, breathing rate, body temperature and galvanic skin response) tangible – to nurture new arts practice and scientific research. Working in partnership with E-Health and Health Informatics at Plymouth University, the project was developed through a series of collaborative ‘DataLabs’ and artist commissions for: Katy Connor, Hannah Wood and Slingshot.
Collectively these artists embrace practices such as interactive art, ubiquitous technologies, data visualisation, transmedia story telling, social gaming and interaction design.
This is an opportunity for you to learn about the Bio-OS prototypes and their potential application from the project partners and commissioned artists.
http://x2.i-dat.org/datalab/
Who is this workshop for?
The Bio-OS ‘DataLab’ R&D showcase is for anyone with an interest in art and science collaborations, creative technologies and contemporary ideas around the human body. We believe that innovation emerges from a rich disciplinary mix and encourage participation from the general public, technologists, creative industries practitioners, artists, health and medical specialists and scientists.
About i-DAT’s DataLabs
i-DAT’s Collaborative DataLab is an initiative which aims to foster an open and collaborative environment which brings together artists, researchers and scientists to develop ‘provocative prototypes’ that lead to new practice, knowledge and resources for the arts and society as a whole. This initiative will enable artists to engage with these new digital opportunities and processes, to foster the creation of new work and engage with new audiences. These activities build dynamic links between academic research and artistic practice to foster transdisciplinary and new cultural forms.
The project is made possible through funding from Arts Council England, i-DAT and Plymouth University.

Katy Connor -Plymouth Art Centre

Katy Connor -Plymouth Art Centre


Katy Connor: 8 – 22 October
Preview: Friday 7 October, 6 to 9pm
You are invited to the exhibition preview of works by Katy Connor
http://www.plymouthartscentre.org/art/2011/katy-connor.html
Katy Connor engaged with scientific processes of Atomic Force Microscopy and data visualisation whilst associate artist at i-DAT. Her new work reflects on these technologies and how they frame perception. PUREFLOW [mobile edition] is a miniature, hand held iPhone app for a mobile and global audience. It reveals the noise generated between GPS data systems and multiple satellites, 3G networks and Wifi hotspots as a tangible presence in the environment. Untitled_Force is a sculptural piece that translates a digital micrograph of the artist’s blood into architectural porcelain, using industrial processes. Katy Connor is a Plymouth Visual Arts Consortium artist hosted by i-DAT. For more information visit www.katyconnor.com
Artist Katy Connor is featured on BBC Click talking about her latest work PURE FLOW [mobile edition]. BBC Click is broadcast on BBC World Service and available to listen to on iPlayer.

This is the second in a series of exhibitions which documents the work of seven artists and curators who have taken part in Plymouth Visual Arts Consortium’s Associate Scheme. The PVAC organisations who have hosted an Associate include, Groundwork, i-DAT, KURATOR, Plymouth College of Art, Plymouth Arts Centre, Plymouth City Museum and Art Gallery and Zest.
Image: Katy Connor, Pure Flow, photo: Bill Leslie

Confluence…

Confluence…


Confluence is a new arts, technology and environment project being delivered by partners Beaford Arts, University of Plymouth’s i-DAT (Institute of Digital Arts and Technology), the North Devon Biosphere Foundation and Appledore Arts.
We’ll be working along the Torridge – in Dolton, Merton, Great Torrington, Bideford, East-the-Water, Appledore and Instow.
Schools and communities, alongside artists selected in a national application process, will develop new work about each place. They’ll be using environmental data collected live by i-DAT’s devices which will also appear in new ways online.
This autumn, there’ll be launch events with demonstrations and workshops. i-DAT and their 5-metre Inflatable Dome will be on show -drop in and see what we’ll be getting up to!
Confluence is supported by Arts Council England and Leader 4.
https://i-dat.org/confluence-project/

ESF-CUC PhD Studentship Opportunity: Hundreds of Things

ESF-CUC PhD Studentship Opportunity: Hundreds of Things

Hundreds of Things: the Internet of Things for Cultural Networks.
hundreds_of_things_phd_ad.pdf
i-DAT, in collaboration with University College Falmouth, invites applications for a 3-year full-time PhD studentship to engage in an applied, practice based research project to explore the potential of smart networked technologies (topically described as the ‘Internet of Things’) to map and evaluate the movement and relationships of people and resources across a geographically distributed communities.
Project overview:
The research will take place through collaborating cultural and heritage venues and regional art galleries distributed across Cornwall. These venues act as active nodes on a dynamic network, linking communities of local residents to a transient community of visitors. They operate as conduits for exchange for ideas, knowledge and physical objects. They also become nodes on more problematic seasonal networks, such as supply chains for food, traffic and amenities (water, electricity and sewerage).
The research will engage in participatory design process through the use ‘provocative prototypes’ or ‘cultural probes’. It will explore the use of smart networked technologies, such as RFID’s, networked sensors, mobile phones, web and embedded technologies, to reveal the complex processes that exist within this networked ecology.
Applicants should therefore have accomplished digital media production skills, such as programming (such as processing, AS3, max msp php, java, etc) and hardware and basic electronics (such as arduino, xbee, RFID, etc).
These processes can be described as a ‘techno-ethnography’ that embraces quantitative data (such as server hits, financial transactions, GPS tracking of artefacts and people, etc) and qualitative data (such as stories, images, audio/visual recordings and conversations).
The research builds on i-DAT’s research projects that can be found at: http://www.i-dat.org/
Supervisory team
Mike Phillips, Professor of Interdisciplinary Arts and Director of i-DAT (www.i-dat.org) , University of Plymouth, Faculty of Art, Centre for Media Art & Design Research.
Phil Stenton, Professor of Pervasive Media and Associate Dean for Research & Enterprise at the School of Media and Performance at University College Falmouth.
(‘Hundreds of Things’ refers to the geographic division of Cornwall).
How to apply:
For an application form and full details on how to apply, please visit www.plymouth.ac.uk/pghowtoapply. Applications should be made by using the PDF application form or the Word application form. Printed application forms are also available and can be obtained from the Course Information Unit, Tel: +44 (0) 1752 585858, Email: prospectus@plymouth.ac.uk.
On completion send your application form to:
Sue Matheron by email: susan.matheron@plymouth.ac.uk or posted to:
Faculty of Arts
Research and Graduate Affairs Office
Room 305
Roland Levinsky Building
Plymouth, PL4 8AA
Further information on the terms and conditions of a PhD at the University of Plymouth can be found on www.plymouth.ac.uk/graduateschool.
Application deadline: 12 noon, Friday 3 June 2011
Please contact Professor Mike Phillips (mike.phillips@plymouth.ac.uk) for further information and an informal discussion regarding the research.

Arts Council National Portfolio Programme

Arts Council National Portfolio Programme

We are pleased to announce that i-DAT’s application for Arts Council England National Portfolio Funding has been successful. Following a history of Grants For the Arts funding acceptance into the National Portfolio Funding Programme marks a significant point in i-DAT’s evolution. This Arts Council England investment will allow us to defrag and reboot and establish a sustainable platform to deliver our programme and services. We look forward to working with artists, organisations and audiences on a regional, national and international level.
i-DAT is dedicated to being a catalyst for creative experimentation – through collaborative, networked, and open innovation – to co-create social, cultural and economic benefit.
In a world of widely distributed knowledge, resources and skills, individuals and organisation cannot operate in isolation. i-DAT passionately believes that it must embrace the opportunities created by digital technologies to be collaborative, networked and open in order to sustainably co-create social, economic and cultural benefit for society in general and, in particularly, for current and future generations of young people.
We want to facilitate innovation in order to tackle the complex challenges facing individual, social, cultural and economic development in the 21st century. We will achieve this by creating environments (offline and online) and digital tools that empower the cultural, commercial and community sectors. We will provide access to new ideas, knowledge, data, technologies and practices through rich interactions with teaching, research and enterprise. We will support the evolution of this vision through a mixed economy of funding streams generated through the synergies between world-class research, creative and commercial productions, industrial collaborations and sponsorship.

FULLDOME UK 2011.

FULLDOME UK 2011.


Following on from the success of the Fulldome UK 2010 held at the Immersive Vision Theatre, we are delighted to announce our second Fulldome festival, FULLDOME UK 2011, will be taking place on Saturday 12th and Sunday 13th March 2011, at Thinktank Science Museum, Birmingham.
FULLDOME UK 2011 is a celebration of the Fulldome experience. The two-day conference and festival will be packed with screenings, presentations and discussions, and will feature some exclusive real-time live audiovisual performances. The event will focus on the use of Fulldome as an artistic medium and will look to highlight the more creative and experimental applications of Fulldome immersive environments, beyond the realm of astronomy education most commonly associated with digital planetariums today.
A series of workshops by Fulldome artists will provide an insight in to the processes and challenges of Fulldome content production, both conceptual and technical, whether one is producing live-action or Computer Generated Imagery. We will also look at developments in the various fields of real-time interactive Fulldome content, which include gaming, data visualisation and VJ-ing.
The aim of this event is to showcase the best examples of contemporary Fulldome practice, and ultimately inspire more people to produce new works for the medium, some of which can hopefully be screened at FULLDOME UK 2012!
The event will take place at Thinktank Planetarium, which forms part of Thinktank Science Museum and is the UK’s first purpose-built digital planetarium, currently one of the top ten busiest small domes in the world (and the most progressive planetarium in the UK!).
http://www.fulldome.org.uk/

Barry Sykes @ the IVT…

Barry Sykes @ the IVT…


Friday 18 February
7 – 8pm
Free
Barry Sykes has devised a new lecture for the Immersive Vision Theatre, the repurposed 1960s planetarium set in the middle of the University of Plymouth’s Drake Circus campus, now capable of state of the art virtual reality projections. Sykes will deliver a confessional 3D spectacle loosely based on his artwork, the history of the building and the universe as a whole. Join us for this unique experiment.
Organised for Plymouth Arts Centre
Advance booking essential through PAC.

i-DAT @ Animated Exeter.

i-DAT @ Animated Exeter.


Projection Seminar – Mapping the Future

Venue: The Rougemont Hotel by Thistle

Date: 19th February, 2pm–5pm

Luminaries from the world of large-scale projection, urban and in the natural world, come together to discuss the nature of the artform and it’s future. GaiaNova, NVA, Tundra, BBC Big Screen, i-DAT.

Cathedral Projection:

EXETER Cathedral’s magnificent exterior will be lit up with spectacular animation to celebrate this year’s Animated Exeter film festival (14 – 26 February). Funded by Arts Council England, internationally acclaimed London artists Tundra* will create a breath-taking projection called Isca Obscura on the Cathedral’s iconic north-front between 18, 19 and 20 Feb. The cutting-edge piece will be aided by pioneering effects designed by i-DAT.

http://www.animatedexeter.co.uk/

0.6fte Lecturer in Digital Art & Technology / Immersive Media Design

0.6fte Lecturer in Digital Art & Technology / Immersive Media Design

0.6fte Lecturer in Digital Art & Technology / Immersive Media Design


Faculty of Arts

School of Art & Media

Ref: A1931
Salary £30747 to £43840 pa, pro rata – Grade 7/8

The University of Plymouth is consistently recognised as one of the top three new universities in the UK and the Faculty of Arts, one of its most successful faculties. The School of Art & Media, situated in the Faculty of Arts, has received significant investment in the last four years enabling it to enhance its reputation for premium, well-resourced, contemporary programmes. Digital Art & Technology programmes are at the forefront of the school’s portfolio of innovative courses, embedding production, design and practice within digital media.
We are seeking a Lecturer to develop and integrate immersive media technologies, in particular data visualisation, CGI, 3D, game engines and motion graphics, within the practical teaching across the undergraduate (BA/BSc) and postgraduate (MRes) programmes in the school. You will contribute to the development and utilisation of digital media resources for PhD and post-doctoral research, and innovation (commercialisation and public engagement). These include a unique 40 seat, 9m full dome digital projection environment. The post will engage proactively and critically with trans-disciplinary activities which operate across cultural and technological aspects of digital practices.
You will be required to have academic leadership qualities combined with practical digital art and technology software, hardware and design skills. You will have significant Higher Education teaching experience, a track record of cross-disciplinary research and enterprise, and preferably experience of doctoral research supervision. You will have the necessary technical skills to teach and research in the field of immersive media technologies and their application to art and design practice and for the benefit of other disciplines.
Recruitment and selection will be based on individual merit; however, we would particularly like to encourage applications from women, and people from black and ethnic minorities who are under-represented in the Faculty.
This is a part-time position working 18.5 hours per week on a permanent basis.
For an informal discussion, please contact Professor Mike Phillips by email mike.phillips@plymouth.ac.uk or telephone 01752 586262, although applications must be made in accordance with the details shown.
CLOSING DATE: 28/01/2011
University of Plymouth HR Link
http://www.plymouth.ac.uk/working

Bio-OS

Bio-OS

i-DAT receives funding from Arts Council England to continue the development of its core Operating Systems. Bio-OS builds on the OP-SY.com open technical framework to offer the opportunity to collect and manifest biological data. Dynamic visual and sonic experiences derived from human movement will be tailored to improve public understanding and engagement with sporting and athletic activity. In this context Bio-OS and its distribution and engagement mechanisms will provide a open tool for public engagement with artistic practice, information literacy and active engagement leading up to and beyond the 2012 Olympics.

Update: OP-SY.com is now retired but can be found here: https://i-dat.org/op-sy-2/