It’s official. Professor Roy Ascott is a national – and an international – treasure. One of his seminal pieces, Video-Roget has become part of the Tate Gallery Permanent Collection, where it will sit alongside works by the most celebrated British artists of the past 500 years. Plus he
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i-DAT has contributed to LA PLISSURE DU TEXTE 2 (LPDT2) (Incheon International Digital Art Festival 2010 (INDAF), 01-30/09/2010, Tomorrow City, Songdo, Incheon, Korea) a Twenty First Century reimagination of Roy Ascott’s famous telematic work LA PLISSURE DU TEXTE from 1983. This Second Live version (built
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“In this technoetic culture, the art we produce is not simply a mirror of the world, nor is it an alibi for past events or present intensities. Engaging constructively with the technological environment, it sets creativity in motion, within the frame of indeterminacy, building
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The Syncretic Sense Roy Ascott 4 April 24 May 2009 The first UK retrospective exhibition of the pioneering cybernetic artist Roy Ascott, curated in collaboration Paula Orrell at Plymouth Art Centre and i-DAT (Institute for Digital Art and Technology, University of Plymouth). http://www.plymouthartscentre.org/art/future.html Long before
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