Daniel Efergan is currently the Executive Creative Director of Interactive at Aardman Animations. Which means he’s mainly spending time doing fun things like making games, forming playful communities, and messing around in the murky bits between storytelling and interactivity. He has been instrumental in the
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CALL FOR COLLABORATORS The CO-OS community – http://s-os.i-dat.org/ – has commissioned artists from Austria, Brazil, Greece/Spain and UK to develop new work. These artists have just posted their ideas on the CO-OS online platform http://s-os.i-dat.org/. Would you like to collaborate with them in developing their ideas? Until
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i-DAT contributes to the Rosetta Life ‘Performing Ourselves’ conference: 29th March 2009, Birmingham Conservatoire. http://www.performingourselves.co.uk/ Image from: I Can’t Draw, Rosie Page: http://www.performingourselves.co.uk/about/i-cant-draw-rosie-page/ Taking risks and pushing boundaries; delivering excellence and professionalism in arts in healthcare and sharing innovation for performance and new media arts
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i-500 Project Launch The Premier of Western Australia Colin Barnett has officially opened the new Curtin Resources and Chemistry Precinct and the i-500 Project. The $116 million precinct is the culmination of partnerships between Curtin, BHP Billiton, the Western Australian Government, and the Federal Government.
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The i-500 Public Art Commission is launched on 13 November 2009. i-500 draws on the Arch-OS experience of developed by i-DAT. The i-500 project is a public art commission for Curtin University’s new Resources and Chemistry Research and Education Buildings. Working in close collaboration with
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Two reports produced by i-DAT following the completion of the Research Informed Teaching projects in April 2009. 1: Development of multi-disciplinary content for the Immersive Vision Theatre: A: Final Report Enquiry-Based Teaching RiT.pdf B: Appendix-A-C.pdf C: AppendixD1-AHO+BARTLETT=i-DAT.pdf D: AppendicD2-OutIn.pdf 2: Development of a Cross-Faculty Centre
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“In this technoetic culture, the art we produce is not simply a mirror of the world, nor is it an alibi for past events or present intensities. Engaging constructively with the technological environment, it sets creativity in motion, within the frame of indeterminacy, building
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The Syncretic Sense Roy Ascott 4 April 24 May 2009 The first UK retrospective exhibition of the pioneering cybernetic artist Roy Ascott, curated in collaboration Paula Orrell at Plymouth Art Centre and i-DAT (Institute for Digital Art and Technology, University of Plymouth). http://www.plymouthartscentre.org/art/future.html Long before
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14.00 – 28/02/09. Part of the Contemporary Music Festival 2009: Music and Evolution – 200 years of Darwin 2:00pm | Jill Craigie Cinema, Roland Levinsky Building. Saturday 28 February 2009. i-DAT Presents ‘Variations’, a digital composition in three forms: A10: “These two months at Plymouth were
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Part of the Contemporary Music Festival 2009: Music and Evolution – 200 years of Darwin 2:00pm | Jill Craigie Cinema, Roland Levinsky Building. Saturday 28 February 2009. i-DAT Presents ‘Variations’, a digital composition in three forms: A10: “These two months at Plymouth were the most
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