Research Assistant in Immersive Dome Content Design

Research Assistant in Immersive Dome Content Design

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Ref: A0227 (03/06/2007). Salary £20437 to £23692 pa, Grade 5. CENTRE FOR CREATIVE DESIGN & TECHNOLOGY. This is a new position for a Research Assistant to work for a period of three years with the existing team of content producers for the Full Dome Immersive Vision Theatre on the Plymouth Campus. The post will develop dynamic content drawn from diverse disciplines located in the Faculty of Technology, developing traditional computer modelling techniques (such as CAD and VRML) through to abstract dynamic data modelling (from areas such as ecological and intelligent buildings, data mining, and computer network activity), through to scanning electron and atomic force microscopy imaging and links with modelling applications for rapid prototyping technologies. For an informal discussion, please contact Mike Phillips on 01752 232549 or email mike.phillips@plymouth.ac.uk. Interviews will be held on Wednesday 11 July 2007. CLOSING DATE: 12 NOON, FRIDAY 15 JUNE 2007.

http://www.plymouth.ac.uk/pages/view.asp?page=19177

Sonic Arts Network and i-DAT present: Expo Plymouth

Sonic Arts Network and i-DAT present: Expo Plymouth

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(16/05/2007). The Expo festival is a free and fun annual event. It is the hub and playground of the experimental music and sound art scene in the UK and beyond. Like a sonic circus the festival travels across the UK and this year we make landfall in Plymouth. Join us for a packed weekend of installations, sonic ferry tours, performances, exhibitions, film-screenings, happenings, a large-scale sonic picnic, workshops and gigs. Expo presents something for everyone at sites all across Plymouth. You’ll hear new and amazing things, enjoy places and spaces in new ways and be part of a truly unique event. ALL EVENTS ARE FREE, JUST COME ALONG! http://www.sonicartsnetwork.org/expo

Reviewing the Future: Vision, Innovation, Innovation.

Reviewing the Future: Vision, Innovation, Innovation.

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The First Summit Meeting of the Planetary Collegium, Montreal, Canada.19-22 April, 2007. C’ur des Sciences, University of Quebec, Montreal. hosted by Centre Interuniversitaire des Arts Mediatiques and Hexagram. Network consciousness, telematic interactivity and the media and metaphors of technology and science, have informed the vision of the Collegium since its inception as CAiiA at the University of Wales College, Newport back in 1994. Throughout the subsequent decade, developments in computing, communications, biophysics and cognitive science, hypermedia, telepresence and robotics created challenges in all fields: architecture, performance, dance, narrative, music, as well as the visual arts and design. New discourse was emerging and theory was not to be left behind. In this context, CAiiA-STAR flourished. As the pressure to expand increased, the Planetary Collegium was established, with its CAiiA-Hub in the University of Plymouth, and Nodes in Zurich, Milan and Beijing, with others pending. http://summit.planetary-collegium.net/

Media Innovations Awards.

Media Innovations Awards.

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i-DAT is pleased to announce that¦ it won two awards at the recent Media Innovation Awards organised by Plymouth Media Partnerships: Multi-platform project Sponsored by Automatic TV and Media Multi-Platform Project Category winner: ‘Cornwall Culture’ i-DAT in association with Ollie Lindsey , Dan Efergan , Gendall Design and Chris Saunders for Cornwall Arts Marketing. For a great example of using a range of technologies to their fullest potential. Sponsored by ITV Westcountry Mobile Communications Category Winner: Noogy by Chris Saunders and Jamie Taylor in association with i-DAT and Lee Nutbean For the innovative way in which it used artificial intelligence to receive text information and respond to it. http://www.mediainnovationawards.com/

Everything is Not Everything.

Everything is Not Everything.

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Everything is Not Everything – the stage two event for artists enrolled in the b-DAT ( digital art and technology ) course at the university of Plymouth took place across the campus on Thursday, 08 March 2007. Work and installations offered an alternative interpretation of the campus through the use of locative media and mobile phone technology. http://www.everythingisnoteverything.co.uk

Hywel Davies – Columbia Livia

Hywel Davies – Columbia Livia

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Arch-OS interpretation by Justin Roberts performed at the Peninsula Arts Contemporary Music Festival ‘VOICES II’. Friday 23 February 2007. Cube 3 Gallery, Portland Square , University of Plymouth. ‘Columbia Livia’ , part of a two-site installation, ‘Salva me’, commissioned by B ath Festivals Trust as part of a Year of the Artist Residency, and shown at the 2001 B ath International Music Festival, was ‘reversioned’ for a new installation through Arch-OS ( www.arch-os.com, an ‘Operating System’ for contemporary architectures). The Columbia Livia + Arch-OS version references ‘flocking’, a computer modelling technique coined by Craig Reynolds (1987) for the coordinated motion of groups of particles or ‘boids’. The visualisation of these algorithms mimics the flocking of birds and demonstrates principles of self-organization and the emergence of behaviors. The ebb and flow of people activated an acoustic ‘flock’ of birds (boids) that spun and wheeled around the void of the atria. ‘Columbia Livia’ deployd the sonic architectures enabled by the Arch-OS 56 speaker – 3 D sound system. A crucial feature of this version of ‘Columbia Livia’ was the emergence of unpredictable ‘complex’ sonic behaviours over the duration of its performance. http://www.arch-os.com/

SlidingScale Workshop: The Bartlett School of Architecture and i-DAT

SlidingScale Workshop: The Bartlett School of Architecture and i-DAT

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(15/12/2006) i-DAT & The Bartlett School of Architecture are collaborating on an SEM (Scanning Electron Microscope) and Rapid-prototyping workshop to generate an exhibition to be installed in January 2007 at University College London. The workshop and seminar are part of Nascent Research Digital Knitting Practice based research workshop, the Tran-Technology research Seminar series (Looking into the Eye of God) and the Invisible Architectures module for m-DAT. This continuing collaboration with Unit 20 of the Bartlett School of Architecture builds on last years Arch-OS workshop held in the IVT.

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thesongrooms.org launch concert at The Unicorn Theatre, London

thesongrooms.org launch concert at The Unicorn Theatre, London

(11/12/2006) 11 December 2006. thesongrooms.org launch concert at The Unicorn Theatre, 147 Tooley Road, London SE1. Featuring children from Richard House Hospice, London, Island Hospice, Zimbabwe and a choir from St Gabriel’s Primary School, London SW1. With support from professional musicians including DJ, MK, Ricky Rankin and Theo Gordon.

F.A.q. Questions about Art, Consciousness and Technology

F.A.q. Questions about Art, Consciousness and Technology

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November 30, December 1 and 2, 2006. SESC Paulista, Avenida Paulista, 119, Sao Paulo, SP, Brazil, Phone (5511) 3179-3796 (25/11/2006). The idea of this forum is to establish an open dialogue between general public and people dedicated to the interface between art, consciousness and technology. In the forum, the question plays the major role of relating the complexity of the participants projects and issues of daily reality in the voice of the invited perguntadores (‘question makers’). The perguntadores will be intellectuals related to each of the five main topics of the round tables, but not particularly engaged in the context of art and technology. F.A.q. gathers 17 members of the Planetary Collegium, Brazilian artists and prominent intellectuals in the fields of science, culture and thought in a program of three days of lectures, round tables and commented digital art shows.

Noogy in residence – part of the Motion Plymouth Festival 2006

Noogy in residence – part of the Motion Plymouth Festival 2006

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(17/11/2006). Noogy: 16 – 19 November 2006. Portland Square, University of Plymouth. To talk to Noogy text: noogy; and your question.. to 07766404142. Noogy in residence is part of the Motion Plymouth Festival 2006. Noogy’s background is a little unclear. Some claim that Noogy arrived from deep space, originating somewhere off the shoulder of Orion, watching C-beams glitter in the dark near the Tannhauser gate. Others claim that Noogy grew from within the network of CAT6 Ethernet cables, silicon chips and data mines that form the core of the Arch-OS system in Portland Square. Whilst others still claim that Noogy was there all the time, waiting in the void for the digital interface that would allow his manifestation. Some say Noogy is the ‘building’, others that Noogy is just a viral infection, like a bad cold that cant be shaken.