A series of satellite TV and Journal publications. A networked telematic comic. MEDIASPACE: The intent of ‘MEDIASPACE’, whether in its ‘dead’ paper-based form, or the ‘live’ digital forms of satellite and internet, is to explore the implications of new media forms and emergent fields
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Kadish Morris (2020). ‘Union jack swastikas and space-age braids: Thirteen Ways of Looking – review’, The Guardian, 28 October 2020. Available at: https://www.theguardian.com/artanddesign/2020/oct/28/thirteen-ways-of-looking-review-cultural-identity-herbert-art-gallery-coventry (Accessed: 16 January 2021). Autoicon is a dynamic internet work and CD-ROM that simulates both the physical presence and elements of the
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Date: 22/05/2000. This is an experimental project that uses interactive digital media to enable the development of new forms of performance and narrative. It looks at the way that layers of interactivity are created in a live event. It also explores how human interaction is
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S.T.I. is funded by the SciArt programme (supported by the ACE, the British Council, the Calouste Gulbenkian Foundation, SAC, the Wellcome Trust and NESTA)., and turns the technologies that look to deep space for Alien Intelligence back onto Planet Earth in a quest for ‘evidence’
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GM: i-DAT committed several Generative Music events. These consisted of live coding, digital sound toys (mostly produced by students on MLA and audio montages. Locations: Sherwell Centre, Plymouth / The Cavern, Exeter / The Cube, Bristol (as part of the RX Artec/DA2 event) / Lovebytes
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Page content salvaged from the original CAiiA-STAR server & unpublished CD-ROM (beta available below): [SPACE/TIME: 24 and 25 August 1998, at Port Eliot House in St Germans, Cornwall] INTRODUCTION: STRUCTURE: FORMULATION: The formulation of questions during the initial briefing will be developed through the
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Psalms is the Autonomous Wheelchair constructed by Guido Bugmann for Donald Rodney’s “Nine Night in Eldorado” at the South London Gallery, 1997. “…Our fear of automata is again harnessed in Psalms, as the empty wheelchair courses through its various trajectories on a sad and lonely journey of
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