eViz £1.8m EPSRC Award.

eViz £1.8m EPSRC Award.

eViz £1.8m EPSRC Award.
Arch-OS supports the eViz the £1.8m grant from the Engineering and Physical Sciences Research Council.
The eViz EPSRC award is lead by Sabine Pahl, from the School of Psychology and Pieter de Wilde from Sustainable Construction in the School of Architecture, Design and Environment. Arch-OS, through i-DAT’s Director of Research (Mike Phillips, a Co-Investigator on the project) will contribute to building data harvesting and visualisation/sonification work packages.

Plymouth University to lead million pound energy visualisation project to help people cut down their bills


Plymouth University has been awarded more than one million pounds to lead an innovative project which will help people to understand how they use energy in their homes and buildings.

It is hoped that eViz – Energy visualisation for carbon reduction – will help people with property, from homeowners and tenants, to businesses and other organisations, to cut down their bills as they see where wastage can occur.
The project will engage with members of the public and ultimately employ a range of social media to communicate the results. It will take an holistic approach to energy use and is being co-led by a Behavioural Scientist and Building Scientist.
One of those leads, Sabine Pahl, from the School of Psychology, said the key to eViz was changing people’s behaviour around energy use. She said: “Although many of us understand the importance of carbon reduction, we don’t make the link with our own behaviour. Research has shown that even in energy efficient buildings, carbon use can be 30-40% higher than expected because of the way we behave.
“We have found that it is really only when people see how it is wasted that they might change their own behaviours – and eViz is all about bridging that gap.”

The £1.8m grant from the Engineering and Physical Sciences Research Council will see Plymouth lead a consortium including the Universities of Bath, Birmingham and Newcastle and international academic advisors in Canada, the Netherlands and Austria. There will also be a number of external partners such as the Energy Saving Trust, the Eden Project and the Carbon Action Network.
For Plymouth alone, who will receive £1.1m of the grant, the work will bring together academics and staff from its Schools of Psychology, Architecture, Art & Media and Marine Science & Engineering, as well as its Environmental Building Group, and the recently launched Institute for Sustainability Solutions Research.

Fellow co-lead Pieter de Wilde, Associate Professor in Sustainable Construction in the School of Architecture, Design and Environment, said: “We’ll use novel digital data visualisation techniques to present intuitive, easily graspable representations of energy flows. Using our virtual reality and data visualisation expertise, we will produce sophisticated interactive 3D and 4D representations, using a range of approaches including webcams, simulation, smartphones, and social media to communicate them.
“We’ll be able to show how things like installing loft insulation or opening a window can affect your home, and we’ll also be working with our partners, such as the Energy Saving Trust, to engage as many people as possible.”
The project would build upon previous research conducted by Plymouth University which used thermal imagery to communicate how heat was lost from houses, and which resulted in a number of people installing more energy-efficiency measures in their homes.

Far Away So Close

Far Away So Close

Remote Sensing: Ecoid Workshop.

The Ecoid Workshop will be delivered by Luis Girao with support from Mike Phillips, Chris Saunders, Pete Carss, Musaab Garghouti.

“Idly, he wondered what these geometric forms really represented – he knew that only a few seconds earlier they had constituted an immediately familiar part of his everyday existence – but however he rearranged them spatially in his mind, or sought their associations, they still remained a random assembly of geometric forms.”

(Ballard, JG)

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big screeni-500 Projection

i-DAT is developing a range of ‘Operating Systems’ which dynamically manifest data as experience and extend human perception. Arch-OS [www.arch-os.com], an ‘Operating System’ for contemporary architecture (‘software for buildings’) was the first i-DAT ‘OS’, developed to manifest the life of a building (currently being installed as the i-500 (www.i-500.org) in Perth Western Australia. More recently S-OS was released (Social Operating System) and follow up with Eco-OS, an ecological operating system.

Eco-OS explores ecologies. Eco-OS further develops the sensor model embedded in the Arch-OS system through the manufacture and distribution of networked environmental sensor devices. Intended as an enhancement of the Arch-OS system Eco-OS provides a new networked architecture for internal and external environments. Networked and location aware data gathered from within an environment can be transmitted within the system or to the Eco-OS server for processing.

Eco-OS.

Eco-OS collects data from an environment through the network of ecoids and provides the public, artists, engineers and scientists with a real time model of the environment. Eco-OS provides a range of networked environmental sensors (ecoids) for rural, urban, work and domestic environments. They extend the concept developed through the Arch-OS and i-500 projects by implementing specific sensors that transmit data to the Operating Systems Core Database. Eco-OS also enables the transmission of data back to the Eco-OS ecoids to support interaction with the environment (such as light shows and the transmission of audio/music in response to the network activity).

Descriptor:

Eco-OS: Eco-OS consists of: the Core database, which collects, stores and makes available data and the sensors – ecoids.

Eco-OS Core Database: is an extension of the established Arch-OS Core database. The Eco-OS Core collects the data transmitted to it by the ecoids. The data is parsed up and published through a range of flexible tools (flash, Max MSP, Processing, Java, etc), feeds (xml, rss) and web 2.0 streams, such as Twitter and Facebook, which allow artists, engineers and scientists to develop visualisations, sonifications (music) and interactive projects. Eco-OS can operate in passive mode, simply collecting data from the environment or interactive mode, feeding back recursively through the environment.

Ecoids: are sensor devices (small pods) that can be distributed through an environment (work place, domestic, urban or rural). The sensors allow environmental data to be collected from the immediate vicinity. The sensors can be connected together through the formation of Wireless Sensor Networks (WNS) that enable the coverage of an extensive territory (several kilometres). Each ecoid has a unique id and its location within a network can be triangulated giving its exact location. Consequently locative content can be tailored to a specific geographical area.

Ecoids consist of programmable (Processing, Java, etc) embedded technologies (Arduino, etc) and network technologies (Zigbee/Xbee, GPRS and Bluetooth). Designed to be attached to objects (architecture, trees, rocks, etc), free form (water-based, balloons, free standing) or as mobile sensors. They can be powered or draw power from the environment (solar).

Ecoids can also be used to produce content be receiving instructions from Eco-OS. Distributed performance can then be orchestrated across a large territory through light displays or acoustic renditions.

……………………………………………………………………………………………………………..

Timetable:

SMB302 is free from 11.00 to 17.00 on Friday 22nd, smb302 is free again on Monday 25th from 09.00 until 13.00 and SMB 303A if free on Tuesday from 09.00 until 17.00 hrs.

Friday 22/01/2010:

11.00 – 17.00: Introduction and Hardware Workshop. Smeaton 302.

Saturday 23/01/2010:

Team design work.

Monday 25/01/2010:

09.00-13.00 Further Hardware development. Smeaton 302

09.00-17.00 Software tools and packaging design. Software Babbage 213/221

Tuesday 26/01/2010:

Software and visualisation

Smeaton302 is available all day.

Wednesday: 27/01/2010

10-12. Final production and cleaning up. Babbage213

……………………………………………………………………………………………………………..

Teams:

Teams will consist of 4-5 people. A mix of hardware, software, visualisation and product design skills is encouraged. Ideally PhD, Masters, MPT and DAT students should constitute these teams.

……………………………………………………………………………………………………………..

Hardware:

Construction: The Smeaton labs will support the electronics development.

Kits consist of: Xbee Pro, Sensors (Humidity Sensor, Light Sensor, Temperature Sensor, Stretch sensor), Batteries, and connectors.

Please bring your laptops to allow better connectivity with the systems (University ports/restrictions etc can cause problems).

……………………………………………………………………………………………………………..

Software/plugins:

Xbee interface, php, Processing, Java, Flesh, VVVV, Quartz Composer, www.nodebox.net

http://www.arch-os.com/downloads.html

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Production Phases:

Construction: electronics workshop developing the xbee hardware systems.

Interface: connecting the xbee to a PC.

Network: Mesh network of xbee ecoids.

Broadcast: xml feeds from the xbee network to the internet.

Visualisation: generatibg visualisations from the xbee feed.

……………………………………………………………………………………………………………..

Tools:

Mobile: rss feeds, java apps, pachube for iPhone.

Dome: 3D Studio max, Blender, Unity 3D, Quartz Composer (and audio).

GreenScreen. Greenscreen templates.

Web: Pachube.com, etc…

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Collaborators:

These individuals and organisations will be building on this Far Away So Close workshop. There are of opportunities for involvement in these collaborations if you would like to taker this work further.

1: Dr Chris Speed: Edinburgh College of Art: http://ubiquityjournal.net/

Check out the PHYLOGENY WORKSHOP. SAT 20 – SUN 21 FEB 2010

2: Centre for Contemporary Art and the Natural World. www.ccanw.co.uk

3: North Devon Biosphere Reserve. http://www.northdevonbiosphere.org.uk/

4: James Moore. University College Falmouth. http://www.falmouth.ac.uk/

5: Aichi Prefectural University of Fine Arts and Music, Nagoya, Japan. And festival: http://setouchi-artfest.jp/

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i-500 Project Launch

i-500 Project Launch

i-500 Diagram

i-500 Project Launch

The Premier of Western Australia Colin Barnett has officially opened the new Curtin Resources and Chemistry Precinct and the i-500 Project. The $116 million precinct is the culmination of partnerships between Curtin, BHP Billiton, the Western Australian Government, and the Federal Government.

i-500 Projection

i-500 System

i-500 / Curtin Resources and Chemistry Precinct OpeningChris, Ross and PaulCurtin Resources and Chemistry Precinct

http://www.i-500.org

The i-500 is an artwork that will perform a vital and integral role in the development of scientific research in the fields of nanochemistry, atomic microscopy and computer modelling, applied chemistry, environmental science, biotechnology, and forensic science. Through dynamic visualizations and sonifications the artwork represents quantitative scientific research as an integral part of the architectural environment. The large-scale visual projections, distributed echo nodes and multiple sonic zones that constitute the art work reveal to the occupants a normally invisible dialogue between the researcher, the research community and the environment. The i-500 translates dynamic data from the physical and social interactions within the building into a volatile and evolving interactive art work.

The opening of the Resources and Chemistry Precinct and launch of the i-500 begins an initial engagement between the dynamic art work and the community that occupies the Precinct. This process will continue until the final manifestation of the work for the Art in the Age of Nanotechnology Perth International Arts Festival exhibition 5 February – 30 April 2010.

The i-500 is a collaborative project between Paul Thomas, Chris Malcolm and Mike Phillips who were commissioned to produce a sustainable, integrated, interactive art work from rich flows of research and general data generated through interaction in the new Curtin University Resources and Chemistry Precinct. This data will be the source material that is reflected through the architectural fabric and surface pattern of the space.

The i-500 project has established an interactive entity that inhabits the Resources and Chemistry Precinct at Curtin University of Technology. The i-500 is a reciprocal architecture, evolutionary in form and content, responding to the activities and occupants of the new structures.

To develop an integrated interactive art work that augments the physical architecture with real time data the project team has worked in close collaboration with:

Curtin University of Technology (http://www.curtin.edu.au/),

John Curtin Gallery (http://www.johncurtingallery.curtin.edu.au/),

Woods Bagot Architects (http://www.woodsbagot.com/),

Artsource (http://www.artsource.net.au/)

i-500 Ingredients:

i-500 Core Server: MySQL, PhP, Flash Engine.

Echo Node Server: MySQL, PhP, Flash Engine.

2 x Projectors

16 x Echo Node (A/V)

5 x Sonic Zones

i-500 Vision system

CAT6 /Fiber optic Network

Code

i-500 Team:

Dr Paul Thomas: http://www.visiblespace.com

Chris Malcolm: http://www.johncurtingallery.org/

Mike Phillips: http://www.i-dat.org

Lee Nutbean: http://www.i-dat.org

i-500 Launch 13/11/2009

i-500 Launch 13/11/2009

i-500 Echo Screens

The i-500 Public Art Commission is launched on 13 November 2009.

i-500 draws on the Arch-OS experience of developed by i-DAT. The i-500 project is a public art commission for Curtin University’s new Resources and Chemistry Research and Education Buildings. Working in close collaboration with Woods Bagot Architects, as part of the architects project team, the i-500 project team is creating a public artwork to be incorporated into the fabric of the complex with the intention to encourage building users to communicate and collaborate.

http://i-500.org/

i-500 PlanBuilding in progressi-500 i-Chat

Eco-OS Workshop – Ecoid Prototype.

Eco-OS Workshop – Ecoid Prototype.

Ecoid workshop and prototype development with site testing in Nagoya Japan.

A component of Eco-OS:

 

 

i-DAT is developing a range of ‘Operating Systems’ which dynamically manifest ‘data’ as experience and extend human perception. Arch-OS [www.arch-os.com], an ‘Operating System’ for contemporary architecture (‘software for buildings’) was the first i-DAT ‘OS’, developed to manifest the life of a building (currently being installed as the i-500 (www.i-500.org) in Perth Western Australia.

Eco-OS explores ecologies. Eco-OS further develops the sensor model embedded in the Arch-OS system through the manufacture and distribution of networked environmental sensor devices. Intended as an enhancement of the Arch-OS system Eco-OS provides a new networked architecture for internal and external environments. Networked and location aware data gathered from within an environment can be transmitted within the system or to the Eco-OS server for processing.

breadboardProcessing ScreenEcoid Workshopecoid v1chris japan configurationNagoyaEcoid on site, Japan

Eco-OS collects data from an environment through the network of ecoids and provides the public, artists, engineers and scientists with a real time model of the environment. Eco-OS provides a range of networked environmental sensors (ecoids) for rural, urban, work and domestic environments. They extend the concept developed through the Arch-OS and i-500 projects by implementing specific sensors that transmit data to the Operating Systems Core Database. Eco-OS also enables the transmission of data back to the Eco-OS ecoids to support interaction with the environment (such as light shows and the transmission of audio/music in response to the network activity).

Eco-OS Core Database: is an extension of the established Arch-OS Core database. The Eco-OS Core collects the data transmitted to it by the ecoids. The data is parsed up and published through a range of flexible tools (flash, Max MSP, Processing, Java, etc), feeds (xml, rss) and web 2.0 streams, such as Twitter and Facebook, which allow artists, engineers and scientists to develop visualisations, sonifications (music) and interactive projects. Eco-OS can operate in passive mode, simply collecting data from the environment or interactive mode, feeding back recursively through the environment.

Ecoids: are sensor devices (small pods) that can be distributed through an environment (work place, domestic, urban or rural). The sensors allow environmental data to be collected from the immediate vicinity. The sensors can be connected together through the formation of Wireless Sensor Networks (WNS) that enable the coverage of an extensive territory (several kilometres). Each ecoid has a unique id and its location within a network can be triangulated giving its exact location. Consequently locative content can be tailored to a specific geographical area.

Ecoids consist of programmable (Processing, Java, etc) embedded technologies (Arduino, etc) and network technologies (Zigbee/Xbee, GPRS and Bluetooth). Designed to be attached to objects (architecture, trees, rocks, etc), free form (water-based, balloons, free standing) or as mobile sensors. They can be powered or draw power from the environment (solar).

Ecoids can also be used to produce content be receiving instructions from Eco-OS. Distributed performance can then be orchestrated across a large territory through light displays or acoustic renditions.

The Operating Systems project explores data: as an abstract and invisible material our potential to perceive our reality through data marks an evolution in human consciousness, the evolution of human perception through the emergence of senses more finely attuned to data!

Data generates a dynamic mirror image of our world, reflecting, in sharp contrast and high resolution, our biological, ecological and social activities. Reluctantly, we are becoming aware of the data shadows that cloud the periphery of our existence, as if through a glass darkly. The reluctance is, to some extent, the result of the fear we feel when we catch a glimpse of this data/mirror world out of the corner of our eye. Somewhere there is an attic, and in that attic stands a large ugly data portrait of our world. Reified its metaphorical and haptic potential are powerful tools for transformation. Operating Systems proposes a range of tools and initiatives that have the potential to enhance our ability to perceive and orchestrate this mirror world.

Eco-OS project and Ecoid development with B Aga, Gianni Corino, Luis Girao, Lee Nutbean, Mike Phillips, Chris Saunders and Chris Speed in Japan.

 

Arch-OS – VILLAGE SCREEN

Arch-OS – VILLAGE SCREEN

big screen

Arch-OS – VILLAGE SCREEN @ The Glastonbury Festival Big Screens

Aqeel Akbar, Immersive Media Assistant at the Immersive Vision Theatre was selected to join the team of seven artists working on site at the festival. The dynamic visualisations shown on the screen included the Quartz Composer real time Arch-OS data visualization developed in the i-DAT/AHO/Bartlett workshop.

Aqeel's Visualisation

“The Village Screen project was a unique collaboration led by the region’s 2012 Creative Programmer, Glastonbury Festival, Team South West and Relays (Legacy Trust UK programme), and including the UK’s network of Creative Programmers, screen agencies and the BBC’s Live Sites team, brings the Village Screen to Glastonbury for the first time this year. The screens will be used to showcase the work of some of the best new filmmaking talent, digital artists, VJs and games developers from the region and the UK.

The 25m2 screens (there are two of them, back- to- back) will broadcast a mix of short films, archive footage, gaming sessions, classic pop and highlights of the BBC’s coverage of the Festival from 10.00am to 3.00am every day.

Village Screen was coordinated by Richard Crowe, London 2012 Creative Programmer.

e: richard.crowe@london2012.com

www.london2012.com/culture

www.artscouncil.org.uk

AHO+BARTLETT=i-DAT

AHO+BARTLETT=i-DAT

Arch-OS Workshop
AHO+BARTLETT= i-DAT:  A trans-disciplinary research workshop on Arch-OS

25th – 27th February 2009
A trans-disciplinary research workshop on Arch-OS:  Architectural ecologies: from aesthetics to behaviour, an interdisciplinary approach to affecting the relationships and interactions between inhabitants and their architectural environment. With:
Advanced Architectural Design, AHO Oslo School of Architecture and Design, Norway: http://www.aho.no/en/
&
A.V.A.T.A.R, Bartlett School of Architecture, University College London, UK: http://www.avatarlondon.org/
Workshop details:
This workshop will experiment with and forecast potential future use, impact and value of using data generated by a building and its inhabitants, to recursively influence behaviour, creating a symbiotic ecology with a potential greater environmental awareness. Through an interdisciplinary approach it will encourage the development of an organic list of solutions or potential methodologies for building design based on the study of the main factors: behaviour, data and interaction. The resultant hybrid construct has the potential to expand and evolve our physical and conceptual space, and behaviours and interaction within these.

Artist Talk: Marc Fournel

Artist Talk: Marc Fournel


“From a circle to a sphere”
Artist Talk: Marc Fournel
Tuesday 25 November 2008, 5.30pm – 6.30pm
Immersive Vision Theatre University of Plymouth
Cost: Free
i-DAT has been awarded a Canada Council for the Arts ‘Grants to New Media and Audio Artists: New Media Residencies’ for the sound and installation artist Marc Fournel. This new award will enable Marc to develop a project incorporating Arch-OS and the Immersive Vision Theatre (IVT).
In this talk, Marc, will present some of his video installations and latest art work using local positioning systems. He will also present his current research being developed through his residency, with a specific focus on working with the Arch-OS system and the IVT.
This will further be an opportunity to experience the IVT’s unique immersive system, whilst re-rendering the universe on the fly through ‘UniView’ (http://www.scalingtheuniverse.com), a computer graphics platform bringing information data- bases to life in a 3D environment, much like an immersive computer game.

Fallout Boys and Cannon Girls

Fallout Boys and Cannon Girls


Fallout Boys and Cannon Girls
Workshops for young people aged 13 – 16.
Plymouth Arts Center, Saturday’s 27 September, 4 October & 11 October 11am – 4pm.
Free

Join artist and writer Mark Greenwood, working in association with i-DAT and Plymouth Arts Centre, for three days of creativity linked to the exhibition Kings Island by Tom Dale. During these workshops participants will be using writing, sculpture and objects, as Mark leads an investigation into local myths, monuments and celebrities. The resulting work that will be exhibited during the Plymouth Respect Festival on i-DAT’s 10m x 5m low resolution Urban Screen.
Advanced booking is essential and you can book for one or both workshops.
Contact Plymouth Arts Centre on: 01752 206 114 or info@plymouthartscentre.org
Artist’s Statement:
Mark Greenwood is a performance artist/ writer originally from Newcastle but now based in Plymouth. He has presented work across the U.K, Europe and the United States over the last ten years. Utilising indefinite durational practice as an art form, Greenwood’s interests lie in writing as a socio-physiological practice and the interrelations between gender, memory, cultural location and identity. Parallel to the generation of poetic texts through experimental procedures that seek to subvert and resist the structures of hegemonic discourse, Greenwood incorporates the ideology of gambling and chance in his current work.
As well as collaborating with London artist Liam Yeates through the medium of film and video, Mark regularly curates the Red Ape Language Project at Plymouth Arts Centre and contributes writing for a number of on-line art journals including AN Interface, Writing from Live Art and Total Theatre. He recently completed an MA in Performance Writing at Dartington College of Arts and is currently researching a doctorate in Fine Art at Kingston University in London.

Marc Fournel Canada Council for the Arts Grant – New Media Residencies:

Marc Fournel Canada Council for the Arts Grant – New Media Residencies:

Marc Fournel
i-DAT has been awarded a Canada Council for the Arts ‘Grants to New Media and Audio Artists: New Media Residencies’ for the sound and installation artist Marc Fournel. This follows initial funding from the Canada Council for the Arts for a research visit to i-DAT in September 2007, where Marc presented a first version of his installation SKIN-PÔ. This new award will enable Marc to develop a project incorporating Arch-OS and the Immersive Vision Theatre (Full Dome). Watch this space for further developments: