DESIGN RESEARCH – Automatik

DESIGN RESEARCH – Automatik

Design Research Workshop.

[Skunk-Works #2]

Design Research Workshop delivered in collaboration with the Message and Design Knowledge Research Groups.

Automatik:

Date: Monday 17 December 2018

Time: 10:00-16:00

Location: Design Lab, 2nd floor Roland Levinsky Building.

As with the previous Skunk-Works, this workshop will explore key aspects of the UK’s Industrial Strategy as framework for individual/group research activities within the Design Area. The workshop will focus on a practical engagement with the new Automation Call for the South West Creative Technology Network: https://swctn.org.uk/.

Automation is changing the way we live. It is increasingly important within the creative industries as well as manufacturing, retail, financial services, and healthcare, to name just a few sectors. Automation could be seen as the ‘quiet’ revolution – working in the background to assist in creative processes, gradually transforming agriculture through robotics, or re-imagining how we search the internet.

The aim of this workshop is to:

  • enlighten participants to contemporary issues and practicalities of Automation.
  • provide a brief but accessible hands-on experience of AI and Robotic systems
  • enable insights to how these processes can inform individual research practices
  • discuss issues around Intellectual Property within collaborative academic/industrial research
  • provide a platform for discussion around academic/industrial knowledge exchange
  • provide first-hand accounts of the SWCTN fellowship experience.

To do this we have two short practical workshops from B Aga (Conversational AI) and Swen Gaudl (Robotics), staff from Research & Innovation supporting the SWCTN and Knowledge Exchange and two presentations by fellows from the Immersion cohort of the SWCTN.

The workshop is aimed at academic researchers, but ‘New Talent’ and Industrial partition is very welcome.

10:00: Introduction: {Pete Davis/Mike Phillips/Vicky Squire}

10:15-11:45: Things that Talk: Conversational Artificial Intelligence: {B Aga}

This workshop explores how ‘things that talk’ (conversational AI system such as Siri, Google Home, Alexa etc.) can offer a number of practical and theoretical contributions to research, and simultaneously reveal new possibilities in cultural expression and design. It will offer a quick introduction to the field, highlighting relevant cultural and commercial developments, followed by a short hands-on workshop applying a speculative design framework to create a collaborative ‘thing that talks’ through using https://dialogflow.com/.

Please note: Bring a laptop. If you wish to take part in the workshop, please email baga@plymouth.ac.uk with your Gmail address so you can be invited to set up a collaborative Dialogflow account.
(A Goggle account is required to set up a Dialogflow account, but If you do not have (or choose not to have) a Google account you may still participate in the workshop).

11:45-12:00: Coffee

12:00-13:30: Things that Walk: Robotics Workshop: {Swen Gaudl}

Automating manual labour in factories are what comes to mind when thinking about robotics. However, robots are capable of much more; they can provide a framework for creating highly interactive performances as well as augment human capabilities in terms of precision or repetition. This workshop provides an introduction to the domain through the experimentation and creation of physical robotic entities from a non-engineering perspective.

The workshop will first give a brief overview of existing technology that can be used to develop embodied expressive systems on a budget. Next, participants will be able to experiment with the Lego NXT robotic teaching toolkit to build moving and sensing embodied entities. While engaging with their own robot, the workshop participants will also be able to get to know a currently available commercial robotic platform, Softbank’s Pepper robot.

Workshop

For the workshop, it is recommended to bring a laptop along. The software used during the workshop is free but requires installation. However, the workshop will be done in small groups. Thus, not all participants are required to bring a laptop.

Downloads:

Mac OSX usb driver: https://www.lego.com/r/www/r/mindstorms/-/media/franchises/mindstorms%202014/downloads/firmware%20and%20software/nxt%20software/nxt%20fantom%20drivers%20v120.zip?l.r2=-964392510

and the editor software: https://www.lego.com/en-gb/mindstorms/downloads/nxt-software-download

13:30-14:30 Working Lunch with conversations about:

14:30-15:00: Current SWCTN Immersion Fellows Presentation #1. {Jane Grant}

15:00-15:30: Current SWCTN Immersion Fellows Presentation #2. {Aste Amundsen}

15:30-16:00: Breakout discussion/End

To book a place please contact: Alison Valerio <alison.valerio@plymouth.ac.uk>

and Mike Phillips for any questions: <mike.phillips@plymouth.ac.uk>

CALL FOR AUTOMATION FELLOWS:

The South West Creative Technology Network are recruiting for 24 Automation Fellows. This is a flexible, part-time paid opportunity for people from industry, academia, as well as those in the early stages of their careers who want to think deeply about the potential, challenges and opportunities in the realm of Automation. This is a unique and exciting opportunity to step back from commercial, academic or career pressures, and focus on new and innovative areas of research, exploration and collaboration.

Fellowships run for twelve months from April 2019 through to April 2020, with most time commitment required in the first three months (April to June 2019). Each Fellow will receive a £15k bursary to support time and research costs.

Automation is changing the way we live; it is increasingly important within the Creative Industries as well as manufacturing, retail, financial services, healthcare and many other industries. Automation could be seen as the ‘quiet’ revolution – working in the background to assist in creative processes, or gradually transforming agriculture through robotics, or re-imagining how we search the internet. We are looking for people to explore the frontiers of automation technology and its applications. We are excited about innovative uses of technologies that engage users in hybrid experiences that are ethical, promote wellbeing, connect us to one another and create value (this could be money, enjoyment, understanding, or something else you think the world needs more of). SWCTN is rooted in the creative industries but aims to make connections into other sectors. We want to generate shared knowledge, boost creative thinking and expertise, and create new commercial products and services that no one has thought to make before.

Full briefing for the Automation Call (link to pdf)

FAQs for industry and academic fellows (link to Google doc)

FAQs for new talent fellows (link to Google doc)

Online application form

Get in touch with Charlie Tapp, Producer at Kaleider (charlie@kaleider.com) if you have any questions or want to talk to us over the phone or on Skype.

We aim to be as inclusive as possible and work to accommodate all access requirements. We will openly discuss and tailor how we do things to support you as best we can.

We welcome applications from BAME, LGBTQI, Deaf and disabled practitioners.

  • Deadline for applications: 9am, 31 January 2019
  • Every applicant will hear from us by 22 February 2019
  • Interviews will be held on the 4 & 5 March

Call for Automation fellows

Call for Automation fellows

Post sourced from: https://swctn.org.uk/automation/automation-call-out-brief/

  • We are seeking to recruit 24 fellows
  • Fellowships run from April 2019 to January 2020
  • Candidates must have a meaningful relationship to South West England
  • Fellowships are part-time
  • Each fellow receives £15k

Photo by Paul Blakemore. Transference by Hellion Trace brought together dancers, robotics and fully reactive wearable LED bands

South West Creative Technology Network is recruiting for 24 Automation fellows. This is a flexible, part-time paid (15k) opportunity for people from industry, academia, as well as those in the early stages of their careers who are interested in the future of Automation.

We will support fellows during a 10-month programme to think deeply about the potentials, challenges and opportunities in this area. This is a unique and exciting chance to step back from commercial, academic or career pressures, and focus on new and innovative areas of research, exploration and collaboration.

Automation is changing the way we live. It is increasingly important within the creative industries as well as manufacturing, retail, financial services, and healthcare, to name just a few sectors. Automation could be seen as the ‘quiet’ revolution – working in the background to assist in creative processes, gradually transforming agriculture through robotics, or re-imagining how we search the internet.

We are looking for people to explore the frontiers of automation technology and its applications, to ask: What already exists? What’s new and what’s good in automation? Where are the gaps in the market? What are the challenges? What opportunities are out there? What are the possibilities? Come and join us as a paid fellow.

Fellowships run from April 2019 through to January 2020, with most time commitment required in the first three months (April to June 2019).

Each fellow will receive a £15k bursary to support time and research costs; they will get support and mentoring from producing teams and creative technologists from Watershed and Kaleider; and they will become part of a diverse cohort of Automation fellows who they can bounce ideas off.

How to apply

Please read the full Automation fellowship briefing before completing the online application form.

Please also read the FAQs. We will continue to update FAQs throughout the application period.

Full briefing for the Automation Call (link to pdf)

FAQs for industry and academic fellows (link to Google doc)

FAQs for new talent fellows (link to Google doc)

Online application form

Get in touch with Charlie Tapp, Producer at Kaleider (charlie@kaleider.com) if you have any questions or want to talk to us over the phone or on Skype.

We aim to be as inclusive as possible and work to accommodate all access requirements. We will openly discuss and tailor how we do things to support you as best we can.

We welcome applications from BAME, LGBTQI, Deaf and disabled practitioners.

Deadline for applications: 9am, 31 January 2019
Every applicant will hear from us by 22 February 2019
Interviews will be held on the 4 & 5 March

Featured image: Photo by David McGoran. How to Build a Robot by Rusty Squid

Immersion Prototypes: Invitation to Apply

Immersion Prototypes: Invitation to Apply

Post contents from: https://swctn.org.uk/immersion-prototype-invitation-to-apply/

We are looking to invest in prototypes that use creative technologies to deliver original immersive processes, experiences, products or services. The making phase will run through April, May, June with showcasing at the end of June 2019. We anticipate awarding grants of between £20k and £40k.

Photo: Only Expansion by Duncan Speakman

We are excited about innovative uses of technologies that engage users in immersive experiences that are brave, ethical, connect us to one another and create value. The network is rooted in the creative industries but aims to make connections into other sectors. Our programme is designed to build creative capacity, generate shared knowledge and maximise potential for specific commercial impact.

How to apply?

Please read the full Immersion Prototype: Invitation to apply

We will continue to update our Immersion Prototype FAQs

Get in touch with Hannah Brady, Producer at Watershed (hannah.b@watershed.co.uk) if you have any questions or want to talk to us over the phone or on Skype.

We aim to be as inclusive as possible and work to accommodate all access requirements. We

will openly discuss and tailor how we do things to support you as best we can.

We welcome applications from BAME, LGBTQI, Deaf and disabled practitioners.

Please follow this link https://watershedbristol.typeform.com/to/WIUXzk to apply by 31 January 2019

Deadline for applications: 9am, 31st January 2019

We will let you know if you are invited to the Pitching day by the end of week commencing 11 February 2019

Shortlisted applicants will be invited to present their idea at a pitching day on week of 25th February 2019

The South West Creative Technology Network (SWCTN) is a £6.5 million project to expand the use of creative technologies across the region. The network will offer three one-year funded fellowship programmes around the themes of immersion, automation and data. The grant is part of Research England’s Connecting Capabilities Fund, which supports university collaboration and encourages commercialisation of products made through partnerships with industry.

Photo: WITCHiH late night at We the Curious, image by Paul Blakemore

 

Automatik

Automatik

Design Research Workshop.

[Skunk-Works #2] Automatik:

Date: Monday 17 December 2018

Time: 10:00-16:00

Location: Design Lab, 2nd floor Roland Levinsky Building.

As with the previous Skunk-Works, this workshop will explore key aspects of the UK’s Industrial Strategy as framework for individual/group research activities within the Design Area. The workshop will focus on a practical engagement with the new Automation Call for the South West Creative Technology Network: https://swctn.org.uk/.

Automation is changing the way we live. It is increasingly important within the creative industries as well as manufacturing, retail, financial services, and healthcare, to name just a few sectors. Automation could be seen as the ‘quiet’ revolution – working in the background to assist in creative processes, gradually transforming agriculture through robotics, or re-imagining how we search the internet.

The aim of this workshop is to:

  • enlighten participants to contemporary issues and practicalities of Automation.
  • provide a brief but accessible hands-on experience of AI and Robotic systems
  • enable insights to how these processes can inform individual research practices
  • discuss issues around Intellectual Property within collaborative academic/industrial research
  • provide a platform for discussion around academic/industrial knowledge exchange
  • provide first-hand accounts of the SWCTN fellowship experience.

https://designresearch.info/automatik/

Exhibition and Lecture by He Jingjing(Yasmine He)

Exhibition and Lecture by He Jingjing(Yasmine He)

Future Product Design:

Product Design Combined with Virtual Reality/AI/IOT/IT/DT

He Jingjing

Exhibition: 4 – 6 Dec, 2018,10:00-16:00.

Lecture: 14.00 Tuesday, 4th December.

Hack Lab/Immersion Studio, Ground Floor Roland Levinsky Building.

Exhibition and Lecture by He Jingjing(Yasmine He), a visiting academic from Shanghai University Digital Media Studio, College of Digital Art, Shanghai University, China. Yasmine has been in residence in the School of Art Design & Architecture and will be presenting the work of her colleagues from Shanghai University Digital Media Studio in the Hack Lab/Immersion Studio, Ground Floor Roland Levinsky Building.

Exhibition: 4 – 6 Dec, 2018,10:00-16:00.

Lecture: 14.00 Tuesday, 4th December.

 

THE COSMOS IN A HEARTBEAT.

THE COSMOS IN A HEARTBEAT.

Presented by Dr. Shane Larson live network from the Adler Planetarium.

Date of Event10th November 2018Last Booking Date for this Event10th November 2018Description.

Kavli Fulldome Lecture Series: The Cosmos in a Heartbeat. Presented by Dr. Shane Larson.

Live-streamed from the Adler Planetarium, Chicago into the Immersive Vision Theatre, Plymouth.

November 10th 2018 @ 18:00 | Tickets £5 | Booking Essential, No Late Admission

A human lifetime is more than a hundred billion times shorter than the current age of the Universe. Whether you are a professional astronomer, or a casual backyard stargazer, you have only a few decades to drink it all in—to wonder how it works and how you got here.

The cosmos is full of strange happenings that we sometimes are lucky enough to witness because we happened to be paying attention to the stories the Universe is telling us. These tales are carried on bursts of light, showers of subatomic particles, and the faint whisperings of gravity, and every day that passes, we’re getting better at deciphering them.

In our lifetimes, we will only ever have a glimpse of the cosmos. But that glimpse is enough to transform our perceptions in dramatic ways and to answer the oldest questions we have about what the Universe is doing all around us.

University of Plymouth estore booking.

LUMENS PRIZE BCS ARTIFICIAL INTELLIGENCE AWARD FOR DEGENERATIVE CULTURES.

LUMENS PRIZE BCS ARTIFICIAL INTELLIGENCE AWARD FOR DEGENERATIVE CULTURES.

Congratulations to Cesar Baio who has won the Lumens Prize BCS Artificial Intelligence Award for Degenerative Cultures. Degenerative Cultures is an artwork by Cesar & Lois, a collective composed of Cesar Baio and Lucy HG Solomon of The League of Imaginary Scientists with contributions from Jeremy Speed Schwartz (Lois artist) and Scott Morgans (biologist). The project was created during Cesar Baio’s residency as artist-researcher at i-DAT, 2017-2018 . Cesar’s research was funded by Capes/Brazil Scholarship Program.

 

https://cesarbaio.net/Degenerative-Cultures_en

https://lumenprize.com/

Dr Cesar Baio

“AI IN ART”: A FACT LATE NIGHT

“AI IN ART”: A FACT LATE NIGHT

Tuesday September 25, 18:00-20:00

FACT Foundation for Art and Creative Technology88 Wood Street, 01748 Liverpool

EVENTBRITE BOOKING:

Join the conversation between a group of young people, artists and curators working with AI; Luba Elliot, Anna Ridler, and Birgitte Aga, Coral Manton and Mike Phillips from the i-DAT Collective.

With the evolution of AI (Artificial Intelligence) as a ubiquitous cultural force, there is an emergent debate about the role of AI in art, and its validity as art. AI in ART attempts to extend this conversation to examine to the role of art practice in engaging the public in a wider debate around the future impact of AI on the individual and the society as a whole.

The event brings together artists and curators working with AI for a conversation with a group of teenagers who have been prototyping AI art as part of intensive summer workshops with artist collective i-DAT. The participants will present their work and be interrogated by the group of young people who will ask the kinds of questions we wouldn’t think of, or dare to ask. In shaping their future these conversations will explore their artificial cultural inheritance.

The event is organised by the i-DAT Collective with a group of young people, in partnership with FACT and KARST.

The project is funded by Arts Council England and the University of Plymouth as part of the Infinite Guide Project.

The Infinite Guide Project Documentation can be found here: