HYBRIDCITY 2015

HYBRIDCITY 2015

3rd International Conference, 17-19 September, Athens, Greece.
DATA TO THE PEOPLE
 
Mike Phillips keynotes [reciproCITY – from data to ta-da!]
 
Hybrid City is an international biennial event dedicated to exploring the emergent character of the city and the potential transformative shift of the urban condition, as a result of ongoing developments in information and communication technologies (ICTs) and of their integration in the urban physical context. It aims to promote dialogue and knowledge exchange among experts drawn from academia, as well as researchers, artists, designers, advocates, stakeholders and decision makers, actively involved in addressing questions on the nature of the technologically mediated urban activity and experience. The second installment of the Hybrid City, that took place in 2013 boasted seven keynote speakers, sixty-eight paper presentations and diverse parallel events, that were documented in the printed volume of proceedings.
Hybrid City Conference 2015 in Athens, Greece will consist of three days of paper presentations, panel discussions, workshops and satellite events, under the theme “Data to the People”. The events are organized by the University Research Institute of Applied Communication (URIAC), in collaboration with New Technologies Laboratory, of the Faculty of Communication and Media Studies, of the University of Athens. The main venue of the conference is the central, historic building of the University of Athens, while workshops, projects’ presentations and parallel events will take place in other University venues and collaborating centers and institutions, in the center of Athens.
 
…..
 
reciproCITY – from data to ta-da!
The harvesting of data from citizens, communities and buildings is a contemporary obsession.  It is a concern that the desire to build real-time data models should so strangely mimic the historical preoccupation with building traditional architectural models. The history of vaulting ambition in urban planning is littered with photographs of the architect, town planner and City Mayor looming over a balsa wood and card model of the future. The sense of distance, dominance and control is tangible. And this history is being recycled in Smart Cities all over the planet.
 
data
Pronunciation: /ˈdeɪtə/
Definition of data in English:
noun
da·ta \ˈdā-tə, ˈda- also ˈdä-\
Facts and statistics collected together for reference or analysis:
“Data is a precious thing…” (Berners-Lee, T.)
1: factual information (such as numbers or symbols) used to make decisions, inform policy or calculate solutions
2: Facts are simple and facts are straight. Facts are lazy and facts are late. Facts all come with points of view. Facts don’t do what I want them to. Facts just twist the truth around… (Byrne, D. Eno, D. et al)
3: Numerical values generated by a sensor, such as environmental or biological monitor.
4: ta-da spelt backwards (see ta-da)
Mid 17th century (as a term in philosophy): from Latin, plural of datum.
 
Most cities are littered with data sets, trapped in preparatory software and a variety of incompatible formats. Before meaningful modelling can commence there is usually a need for a significant data archaeology, cleansing and standardisation through a rigorous curatorial process. Or maybe it is simpler to forget the past and start the harvest afresh. Either way data is useless without effective analytics.
It is extremely difficult to see patterns and relationships in diverse data sets. The coupling of qualitative and quantitative data is problematic and even the interpretation of correlations between disparate data sets is challenging, often requiring, either hypothesis driven or good old fashioned intuitive decision making.
In addition to the easily measurable metrics and indices, the social and economic, a more holistic approach to capturing the intangible impacts of civic activity, such as mood, feelings, participation and engagement is needed.  These qualitative metrics provide real-time feedback on how the City ‘feels’ and have the potential to encourage a greater democratic engagement and reciprocity between stakeholders.
Complex data analytics such as hotspot detection, correlation of data sets, sentiment analysis and analytical models based on modern integrative, sub-symbolic, computational techniques (Artificial Neural Networks, Self-Organising Maps and Deep Learning Networks) need to be deployed to generate new meaning from human urban behaviour. Primarily used in robotics and the complex analysis of economic data, these techniques offer great potential for the social and cultural sector to better understand and utilise qualitative and quantitative data, offering new analytical and predictive methods and tools which could assist in enhancement of reciprocal democratic processes, planning and engagement. Some kind of magic.
 
ta-da
Pronunciation: /təˈdɑː/
(also ta-dah)
Definition of ta-da in English:
exclamation / interjection
“abracadabra, ta-da!” (Houdini, H.)
1: A simulated trumpet fanfare (typically to emphasise an extraordinary entrance, point or revelation.) Often following a dramatic build up and complemented by jazz hands and an exclamation mark.
2: data spelt backwards (see data)
Mid BC (possibly predates the invention of the trumpet): from Latin, plural of ta-datum.
Some kind of alchemy, a different kind of model. With a focus on real-time analytics and processes for directly engaging individuals and communities, this presentation zooms in on the little bits and bytes of data, the smiles, nods, “hello’s” and “thankyou’s”, the myriad of micro transactions that calculate in real-time the value (- &+) of a social urban landscape.
 

i-DAT at ISEA2015

i-DAT at ISEA2015

21st International Symposium of Electronic Art. 14-19 August 2015
i-DAT at ISEA – Mike Blow and Mike Phillips present at ISEA 2015:
Michael Blow. Disrupting Perceptions: Reimagining Architecture through Sound. Art or Research Short paper
Martin Kusch, Dimitris Charitos, Mike Phillips, Marie-Claude Poulin, Ruth Schnell and Thomas Dumke. E/M/D/L – European Mobile Dome Lab for Artistic Research. Panel
Peter Anders, Elif Ayiter, Diane Gromala, Mike Phillips, Paul Thomas: Didactic Disruption: Roy Ascott’s Models for Arts Education and Research. Panel
Katerina Kontini, Dimitris Charitos, Iouliani Theona and Mike Phillips. Investigating the artistic potential of the fulldome as a creative medium: the case of the E/M/D/L project. Art or Research Long Paper
http://isea2015.org/
ISEA2015’s theme of DISRUPTION invites a conversation about the aesthetics of change, renewal, and game-changing paradigms. We look to raw bursts of energy, reconciliation, error, and the destructive and creative forces of the new. Disruption contains both blue sky and black smoke. When we speak of radical emergence we must also address things left behind. Disruption is both incremental and monumental.
In practices ranging from hacking and detournement to inversions of place, time, and intention, creative work across disciplines constantly finds ways to rethink or reconsider form, function, context, body, network, and culture. Artists push, shape, break; designers reinvent and overturn; scientists challenge, disprove and re-state; technologists hack and subvert to rebuild.
Disruption and rupture are fundamental to digital aesthetics. Instantiations of the digital realm continue to proliferate in contemporary culture, allowing us to observe ever-broader consequences of these effects and the aesthetic, functional, social and political possibilities that arise from them.
 

TATE MODERN DATA JAM… 25/07/15

TATE MODERN DATA JAM… 25/07/15

i-DAT’s Data Jam at the Tate Modern, Turbine Hall Saturday 25 July 2015, 12.3021.30.
Real-time data visualisation supporting the:

“free Turbine Festival 2015, Tate Modern’s Turbine Hall becomes your playground, your local, your city; and everyone is invited. Join us for an audio-visual day of music, performance, film, installations, food and activities. We’ll be creating and celebrating alongside artists, dancers, chefs, DJ’s, poets, musicians and more…”

http://www.tate.org.uk/whats-on/tate-modern/courses-and-workshops/data-jam-i-dat

The Undivided Mind

The Undivided Mind

16-18 July, Jill Craigie Cinema, Roland Levinsky Building.

The Sciences and the Arts have often created intellectual divisions in the way we represent sensing, thinking and action in order to understand the world and our relationship with it. 

Distinctions have often been made between brain/mind, sensing/thinking, thought/action and internal/external. Sensory and perceptual information is often inherently ambiguous, the drawing in of information a series of processes to minimise misinterpretations from the environment.
This symposium seeks to interrogate these divisions and the reasons for the existence of the divisions and considers what might be found at the boundaries, the extensities of sensation between these created divided entities, both physical and imagined.
Please register attendance via the above link (last booking date: 12 July 2015).

Email bryony.edmondson@plymouth.ac.uk or jane.grant@plymouth.ac.uk for further information.
Planetary Collegium + ART&SOUND

11312993_10205623277614303_6485275986475988182_o

9 EVENINGS: RE-IMAGING – AUTOICON

9 EVENINGS: RE-IMAGING – AUTOICON

Mike Phillips will; be presenting Autoicon (http://i-dat.org/autoicon/) at:
http://www.vividprojects.org.uk/programme/9-evenings-autoicon/
9 EVENINGS: RE-IMAGING – AUTOICON

27 JUNE 2015, 2-5PM

Advance tickets £5/3 conc. Book to reserve your place.
AUTOICON was a dynamic internet work that simulated both the physical presence and elements of the creative personality of the artist Donald Rodney, one of the most significant and essential artists of his generation. After initiating the project, Rodney died from sickle-cell anaemia in March 1998.
Re-Imaging – AUTOICON is a research project exploring the digital embodiment of the artist Donald Rodney, and the challenges of re-authoring a digital legacy.
In conversation with original members of Donald Rodney Plc (a group of artists and close friends who acted as an advisory and editorial board in the artist’s absence) and colleagues from the Blk Arts Group, this salon convened by Ian Sergeant, explores Rodney’s practice and how his legacy informs ideas considering digital creativity, ethics and memorial.
The salon includes a screening of John Akomfrah’s The Genome Chronicles (2009, 33m), the filmmaker’s response to the death of his mother and close friend Donald Rodney in the form of a ‘song cycle’ in ten parts. The film combines Akomfrah’s own footage of repeated trips to the Scottish islands of Skye and Mull with Rodney’s own Super 8 footage.

Commissioned by Vivid Projects and convened by Ian Sergeant, Associate Curator. Participants include Professor Mike Philips (i-dat), Keith Piper, Marlene Smith and members of Wolverhampton Sickle Cell Centre.
AUTOICON is presented as part of 9 Evenings: Redux, a season of new collaborative commissions in which artists will critique, re-work and react to the seminal 1966 series 9 Evenings: Theatre & Engineering

Vivid Projects
16 Minerva Works
158 Fazeley Street
Birmingham B5 5RS
www.vividprojects.org.uk
info@vividprojects.org.uk
Twitter: VIVID_
Facebook: VIVIDbham
Tumblr: vividprojects

STARTS Symposium BOZAR 22-23 June 2015

STARTS Symposium BOZAR 22-23 June 2015

i-DAT present at and coordinate the Creative Cities: ICT, the Arts and the City workshop at BOZAR, Le salon de réception, part of the STARTS Symposium. An event co-organized by BOZAR and European Commission, Directorate General for Communications Networks, Content and Technology June 22-23 at BOZAR, Brussels.
http://www.ictartconnect.eu/resource/id/55683c2cfda147b677efcf8a
Today, an increasing number of high tech companies and research institutions, world-wide, assert that the critical skills needed for innovation to happen and to be of value for society are – in addition to scientific and technological skills –skills such as creativity and capacity to involve all of society in the process of innovation. In this context, the Arts are gaining prominence as a catalyst for an efficient conversion of S&T knowledge into novel products, services, and processes.
Working at the nexus between Science, Technology, and the ARTS, we begin to see opportunities for piloting cross-sectorial collaboration to enhance and promote innovation. To foster such collaboration, the European Commission is launching its STARTS –S&T&ARTS programme.
In the STARTS symposium, we will explore the catalytic role of the Arts for innovation in business, industry and society and how to foster it. Possible synergies will be analyzed from an entrepreneurial, technological, scientific, social, and artistic angle. Already existing collaboration of S&T with the Arts in European Commission funded projects will be particularly highlighted.

New Fields of Research Applied to Visual Music Full-Dome.

New Fields of Research Applied to Visual Music Full-Dome.

“These are small… 
but the ones out there are far away.
Small… far away.”

(Father Ted, 1996)
http://uvm2015.unb.br/
Mike Phillips is Keynote speaker at the Understanding Visual Music – UVM 2015 Conference in Brasilia, 10-12 June.
UVM2015 organised by:

  • ANTENOR FERREIRA CORRÊA (University of Brasília, Brazil)
  • SUZETE VENTURELLI (University of Brasília, Brazil)
  • FRANCISCO BARRETTO (University of Brasília, Brazil)
  • RICARDO DAL FARRA (Concordia University, Canada)

http://uvm2015.unb.br/index.php/2014-11-16-21-36-10/organizers
IMG_20150610_133854
The hegemony of the eye and the instruments that capture the visible domain have left an indelible trace on our retinas and world-views. The invisible and the obscured, either because they are so infinitely big or nano-scopically small, have largely remained outside of our philosophical grasp, with the void being filled with the paranormal and occult.
Trans-scalar instruments, such as the Atomic Force Microscope and the radio telescope, reveal that there are more things in heaven and earth than dreamt of in these ocular philosophies. These images, created with no light or lens, require a reconsideration of our relationship with them and through them with the world outside. This new understanding lies just out of reach, flickering in the shadows cast by atomic forces and electromagnetic radiation.
In fact, the image and the eye may be a totally inadequate relationship for understanding the trans-scalar and the trans-disciplinary. Indeed the substrate for all these innovations is ‘data’, a ubiquitous (im)material that is poorly understood and lacking in form and tradition. To achieve a barely adequate level of comprehension we may need far more immersive forms to appreciate and experience its potential.
This immersion can be achieved, in part, through instruments that are increasingly being liberated from the scientific domain for creative use. The Fulldome, for instance, catalysed by a shift in digital technologies, is being transformed from a space for stars and science to a place for creative expression and transdisciplinary experience. Things that are felt and heard and not just seen.
For if we listen very carefully we may find that these things are not so small and not so far away.
Keywords: Data, transcalar, nano, fulldome,
References: Father Ted. “Hell.” Episode 1, Series 2. Directed by Declan Lowney. Written by Graham Linehan and Arthur Matthews. Performed by Dermot Morgan. Chanel 4, 8 March 1996.
IMG_20150610_103841
Understanding Visual Music was born from the idea of knowing better the conceptual roots of this art. The first edition of UVM was held in Montreal, 2011. In 2013 the event was hosted in Argentina, and in 2015 Brasília will have the mission to host this important event.
Understanding Visual Music – UVM 2015 Symposium focuses on research-creation processes and multiple relations between art, science and new technologies that are key factors in obtaining creative results, when working with a universe composed of moving images and organized sound.
Thus, 2D and 3D animation, electroacoustic music, image processing, sound design and the digital arts in general, can be intertwined with the most diverse techniques and technologies, and even with unexpected areas of science, in generating the complex blending supporting the so-called “visual music”.
The symposium activities will take place on June 10th, 11th, and 12th at the University of Brasilia and the Bank of Brazil Cultural Center. It will include sessions with paper presentations, roundtables, panels, workshops and visual music concerts.
Background
The term “visual music” has been used to describe a wide array of creative approaches to working with sound and image. It may refer to “visualized music” in which the visual aspect follows the sound’s amplitude, spectrum, pitch, or rhythm, often in the form of light shows or computer animation, while in other instances it may refer to “image sonification” in which the audio is drawn from the image in some fashion.
Visual music is also understood as a type of image discourse that aims to incorporate the non-representational qualities of music, following in this sense the idea of absolute music.
Sometimes visual music describes a non-hierarchical correlation between sound and image, in which both are generated from the same algorithmic process, while in other instances, they are layered without hierarchy or correlation altogether. Both sound and image may be presented live, fixed, or as part of an interactive multimedia installation.

E / M / D / L at the SATOSPHÈRE

E / M / D / L at the SATOSPHÈRE
26 MAY TO 12 JUNE 2015, SAT, Montreal, Canada.
Following the premier at the ix Symposium (http://ix.sat.qc.ca/node/422?language=en) a series of lreal-time digital performances conclude the artistic research carried out during the eight international residency project E ​​/ M / D / L . The evening presentation of “E / M / D / L – Immersive Education” carried out in the Satosphère presents three artistic studies: Liminal Spaces , Dream Collider and Murmuration . Structured around environmental fulldome instrument as transdisciplinary exploration of new artistic expressions, this selection of essays vacillates between performative spectacle, public arena and immersive event. Images from murmuration below…
http://sat.qc.ca/fr/emdl

E/M/D/L SHOWCASE ix PERFORMANCES & PRODUCTIONS

E/M/D/L SHOWCASE ix PERFORMANCES & PRODUCTIONS

The E/M/D/L showcase presents the workings behind the premier of the Fulldome Art Works Liminal Spaces, Dream Collider and Murmuration.

Thursday 21 May – 20:00

http://ix.sat.qc.ca/node/422?language=en
E/M/D/L SHOWCASE
PERFORMANCES & PRODUCTIONS

E/M/D/L presents: Liminal Spaces, Dream Collider, and Murmuration, the culmination of a EU funded collaboration between Canadian and European partners. This research project was carried out through eight international residencies and is presented in the Satosphere. Articulated through the fulldome environment as an instrument to explore transdisciplinary forms of artistic expression, these experiments oscillate between performance, interactive installation and immersive event.

The overall research benefitted from the sharing and development of the latest tools for capturing, synthesizing, and re-visioning the world by the imaging and sonification methods of sampling, IR analysis, MRI, Atomic Force Microscopy, 3-D scanning, photogrammetry and point cloud visualization.

These works capture the multiple, heterogeneous forms of presences generated by a digital culture but also critique the intrinsic homogeneity that emerge through processes of surveillance and control.

This transdisciplinary research interrogates the language of the new creative environment of the fulldome, creating the possibility of a rich experience of audience participation: a world of multi-user interactions, navigating through trans-scalar, recursive imaginary territories, harnessing both physical and synthetic worlds.