Andrew Prior, John Matthews, Lauren Hayhurst and Joel Hodges have received £17,000 funding from Story Futures, to develop Actor Training and approaches to Narrative Design for Virtual Production. The project, entitled Water Course, is a collaboration between i-DAT staff (Andy and Joel), the School of
◯ ◯ ◯
Awarded to: Hedy Hurban in the amount of £5000 To: Developing a wearable musical instrument device This grant which was awarded by Creative UK in the amount of £5000 is to develop a new and innovative piece of immersive technology. The proposal was to create
◯ ◯ ◯
Digital Dervish + Flamenco Sonic A Multimedia Performance Work by Hedy Hurban May 6th and 7th at the Market Hall Dome theatre in Devonport, Plymouth The sema of the Dervish blurs the lines between dance and meditation while symbolically expressing the formation of the universe and mans’ transference of
◯ ◯ ◯
DI WEBINAR – INDUSTRYTHURSDAY TALK Mike Phillips presents: The thing’s hollow it goes on forever and oh my God it’s full of stars!* Fulldome is a place “where all the different kinds of truths fit together” (Vonnegut, 2006, p7). Its ability to break down disciplinary
◯ ◯ ◯
4TH-12TH NOVEMBER 2022 – SAVE THE DATE! FDUK returns for 2022! The UK’s premiere celebration of all things fulldome will take place once more at the Market Hall Dome in Plymouth, during November 2022. The call for submissions is now open and we are looking
◯ ◯ ◯
Helen Pritchard and Cassandra Troyan’s chapter, The Anti Menagerie: Fictions for Interrogating the Supremacy of World-shaping Violence, pp189 Multispecies Storytelling in Intermedial Practices Edited by Ida Bencke, Jørgen Bruhn Contributors Melanie Boehi, Karin Bolender, Adam Dickinson, Vinciane Despret, Hörner/Antlfinger, Fröydi Lazslo, Katie Lawson, Maya Livio, Péter Kristóf Makai, Emily McGiffin, Carol Padberg, Helen V. Pritchard, Loup Rivière, Cassandra Troyan, Kristina Van Dexter, Elizabeth
◯ ◯ ◯
Thursday, 10th March 2022 4pm Computation Otherwise: Carbon Endings and Regenerative Practice Dr. Helen V. Pritchard i-DAT, University of Plymouth/The Institute of Technology in the Public Interest Design Informatics, University of Edinburgh. As a response to the endings of carbon-based energy there have been many techno-utopian
◯ ◯ ◯
Toby Chanter’s Installation Practice Research Encounters through the physics of blood, water, and light. M a r c h 10th 1100 – 2000 / M a r c h 11th 1000 – 1400 KARST / 22 George Place / Plymouth / PL1 3NY Blood is
◯ ◯ ◯
“HEDY HURBAN Wearable Tech designer Hedy Hurban is a designer of costumes, wearable technology interactions and a composer of electronic/electroacoustic music. She is currently working towards her PhD in Digital Art Design at University of Plymouth (UK) where she is designing wearable technology body
◯ ◯ ◯
You must be logged in to post a comment.