PGR: ResM/MPhil/PhD…
i-DAT’s research themes and projects provide a rich context for Full Time and Part Time research students from a variety of disciplines, who can engage with these initiatives and build research activity grounded in their creative practice.
i-DAT’s core supervisory team has more than 60 PhD completions in a broad range of areas (design, software, interactive architecture, play, performance and robotics).
Supervisory teams draw on collaborating research groups in the School of Art, Design & Architecture / Faculty of Arts, Humanities & Business, Sustainable Earth Institute, Cognition Institute. and eHealth.
i-DAT researchers have been involved in the following supervisory teams, most notably through a collaboration (since 1996) with Professor Roy Ascott’s Planetary Collegium and its Nodes in Italy, Switzerland, Greece and China.
Please contact a member of i-DAT to help develop your research proposal before submitting through University application process for ResM/MPhil/PhD, which can be found here:
Current PhD Supervisions:
Director of Studies:
2nd Supervisor:
PhD Completions:
i-DAT:
> Lucas Bambozzi Da Silveira [lucasbambozzi.net/]
> Eleanor Browne: Social and commercial enterprise interactions: Insights from UK business incubators.
> Jane Grant: Inhabiting the Uninhabitable: Interdisciplinary strategies for creating other worlds
> Paul Green: A Framework for the Consideration of Narrative in Creative Arts Practice
> Katina Hazelden: AN ENACTIVE APPROACH TO TECHNOLOGICALLY MEDIATED LEARNING THROUGH PLAY
Director of Studies:
> Elif Ayiter: GROUND<C>: A METAVERSE LEARNING STRATEGY FOR THE CREATIVE FIELDS
> Isabella Beyer: Le Passage – Towards the Concept of a New Knowledge Instrument
> Jürgen Faust: Discursive Designing Theory – Towards a Theory of Designing Design
> Wolfgang Fiel: DISSIPATIVE URBANISM From Democracy towards a Constitution of Time
> Jennifer Kanary Nikolov: LABYRINTH PSYCHOTICA – SIMULATING PSYCHOTIC PHENOMENA
> Seth Riskin: Light Dance: Beyond the Dichotomy of Light and Vision.
> Denis Roio: Algorithmic Sovereignty
Planetary Collegium as other supervisor:
> Peter Anders: A PROCEDURAL MODEL FOR INTEGRATING PHYSICAL AND CYBERSPACES IN ARCHITECTURE
> Julieta Aguilera: Mindfulness and Embodiment in the Design of a Synthetic Experience
> Laura Beloff: THE HYBRONAUT AND THE UMWELT: WEARABLE TECHNOLOGY AS ARTISTIC STRATEGY
> Diane Derr: Syncretic Narrative: Method for Navigation of Power and Resistance in War and Conflict.
> Regina Duerig: Deciphering the Silence: A Literary Journey to Alice E. Kober
> Luis Girao: Artistic Modulation of Consciousness by Bioelectromagnetic Stimulation
> Diane Gromala: Towards a Phenomenological Theory of the Visceral in the Interactive Arts
> Tiffany Holmes: Eco-visualisation: Combining art and technology to reduce energy consumption
> Kathrine Johansson: Subject and Aesthetic Interface – an inquiry into transformed subjectivities
> Linus Lancaster: Soils and Interventions
> David McConville: On the Evolution of the Heavenly Spheres: An Enactive Approach to Cosmography
> James Moore: Montage As A Participatory System: Interactions with the Moving Image
> Juergen Moritz: Towards the Affect of Intimacy
> Alejandro Quinteros: SYNCRETIC PRACTICES BETWEEN ART AND ARCHITECTURE: TOWARDS A CRITICAL EPISTEMIC PRACTICE FOR SOCIAL ENGAGEMENT.
> Gretchen Schiller: The kinesfield : a study of movement-based interactive and choreographic art
> Diana Slattery: Communicating the Unspeakable: Linguistic Phenomena in the Psychedelic Sphere
> Claudia Westermann: An Experimental Research into Inhabitable Theories
Art & Sound:
CogNovo:
> Diego Maranan: Haplós: Towards Technologies for and Applications of Somaesthetics
> Christos Melidis: Adaptive Neural Architectures for Intuitive Robot Control
> Michael Straeubig: Designing Playful Systems
Transtechnology:
> John Vines: Ageing Futures: Towards Cognitively Inclusive Digital Media Products
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